Thanks for letting us know about the now-defunct version of the YouTube video we had embedded in the post you mention. Fortunately, the gods that be do not disappoint. Here’s the full version of the second part of Arnaud Desjardins’ classic film Le Message des Thibetains (head to the 50:05 mark if you want to see the series of portraits referenced by Matthieu Ricard):
All the best,
Trent Gilliss, senior editor
You know, at one time I worked for the World Council of Churches and we were based in London. I came from Africa. There was someone from Taiwan. There was someone from Malaysia, someone from the States, and then someone from Latin America, and he introduced me to Latin American liberation theology. And I came to visit for the first time in the United States and here encountered black theology. So all of that was a very significant part of what helped to open my eyes. Mercifully, there isn’t anything like the so-called self-made person.
I mean, they are people who helped to form me. And then discovering that the Bible could be such dynamite. I subsequently used to say if these white people had intended keeping us under they shouldn’t have given us the Bible. Because, whoa, I mean, it’s almost as if it is written specifically just for your situation. I mean, the many parts of it that were so germane, so utterly to the point for us…
When you discover that apartheid sought to mislead people into believing that what gave value to human beings was a biological irrelevance, really, skin color or ethnicity, and you saw how the scriptures say it is because we are created in the image of God, that each one of us is a God-carrier. No matter what our circumstances may be, no matter how awful, no matter how deprived you could be, it doesn’t take away from you this intrinsic worth. One saw just how significant it was.” —Desmond Tutu, from “Tutu’s God of Surprises”
Good morning, Anon—
Although this is definitely not our area of expertise (we do news through the lens of theology, human experience, and storytelling), I actually know what you’re asking about. The technology is called plenoptic, or light field, photography. Joshua Topolsky describes it this way in his review of the Lytro camera for The Washington Post:
“When normal cameras take a photo, they measure the color and light coming through the lens to produce an image. The Lytro camera not only sees color and light but can understand the direction the light moves in while snapping a photo.
Instead of simply grabbing one point of the light in a scene, Lytro analyzes all the points of light and then converts them to data. Once the image is stored, it can be processed and reprocessed after the photo is taken.
What does this mean, exactly?
Basically, it means that you’re able to take a photo and then refocus the subject in it after the fact. It means that if you take a picture of a friend in the foreground and there’s something exciting happening down the street, you can use Lytro’s custom software to refocus on the background, or almost anything else in the scene that you captured. It’s hard to explain, but it’s amazing.”
You can see how this works and play around with images on Lytro’s photo gallery. Check out these examples in which I changed the depth of field by first focusing on the near and then focusing on the distant end of the tree, with one click:
The resolution of the photos has a long way to go. It’s rather poor, but apparently there’s hope. Here’s Eric Cheng, the director of photography at Lytro, explaining the technology and the company’s new camera.
Hope this helps!
Trent Gilliss, senior editor
by Brent Colby, guest contributor
I work and live in Olympia, Washington and love my city. I decided to take a walk on my lunch break and took my camera along.
Brent Colby lives in Olympia, Washington and writes on leadership and culture on his blog.