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Establishing Roots to the PastTrent Gilliss, Online EditorThe foundation has been laid and now the heavy lifting begins for second-year students at the Rural Studio. They completely dismantled St. Luke’s Episcopal Church (circa 1854) last year and cataloged all its elements — from mortise & tenon beams to cut nails. Then, they loaded up the truck and relocated the structure near its original location in Cahawba, the first capital of Alabama.The effort is painstaking, but history teaches lessons. And Jason Coomes, the instructor for this project, says it awakens the eyes of his young students and town citizens alike. The quality of craftsmanship and ingenuity of construction contributed to its longevity.Beams used for floor joists weren’t nailed to the foundation. Taboo nowadays perhaps, but a feature that allowed the building to move enough so that it didn’t collapse under stress and strain. Now that they’re assembling the salvaged floor, they’ll date-stamp the contemporary substitutions to provide a legacy for the next generation trying to figure out how the church was built and rebuilt.In so doing, they preserve our cultural legacy, teach the next generation of architects what it means to design buildings that last, salvage wood that most likely would have deteriorated or been scrapped, and sustain the geography of place that was once washed away by the floodplain of the Cahawba River. This seems like sensible sustainability, one that sates the curiosity of generations to come.
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Establishing Roots to the Past
Trent Gilliss, Online Editor

The foundation has been laid and now the heavy lifting begins for second-year students at the Rural Studio. They completely dismantled St. Luke’s Episcopal Church (circa 1854) last year and cataloged all its elements — from mortise & tenon beams to cut nails. Then, they loaded up the truck and relocated the structure near its original location in Cahawba, the first capital of Alabama.

The effort is painstaking, but history teaches lessons. And Jason Coomes, the instructor for this project, says it awakens the eyes of his young students and town citizens alike. The quality of craftsmanship and ingenuity of construction contributed to its longevity.

Beams used for floor joists weren’t nailed to the foundation. Taboo nowadays perhaps, but a feature that allowed the building to move enough so that it didn’t collapse under stress and strain. Now that they’re assembling the salvaged floor, they’ll date-stamp the contemporary substitutions to provide a legacy for the next generation trying to figure out how the church was built and rebuilt.

In so doing, they preserve our cultural legacy, teach the next generation of architects what it means to design buildings that last, salvage wood that most likely would have deteriorated or been scrapped, and sustain the geography of place that was once washed away by the floodplain of the Cahawba River. This seems like sensible sustainability, one that sates the curiosity of generations to come.

    • #consumed
    • #road trip
    • #environmentalism
    • #alabama
    • #rural studio
    • #sustainability
    • #architecture
    • #church
    • #christian
    • #reclamation
    • #preservation
  • 5 years ago [Thu, Oct 11th, 2007 at 11:10pm]
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On Being with Krista Tippett is a public radio project delving into the human side of news stories + issues. Curated + edited by senior editor Trent Gilliss.

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