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Embracing the Beauty of Genetic Difference
Nancy Rosenbaum, associate producer

Former fashion photographer Rick Guidotti has been taking pictures of people with genetic differences for over a decade. His organization, Positive Exposure, celebrates “the spirit of difference” and “the joy that comes with self-acceptance.” He’s committed to changing how people with genetic conditions all over the world see themselves, and, in turn, how they’re perceived within their communities.

Guidotti is adamant that his work isn’t about illuminating inner beauty. “This is beauty,” he insists. “This is the real deal. These kids are gorgeous, and you see the beauty there exists. We just haven’t been allowed to see it.”

Photographing people with albinism has been central to Guidotti’s efforts with Positive Exposure. In recent years, he’s photographed some of these young women and men in villages in Mali and Tanzania, where the social stigma can lead to ostracization and sometimes life-threatening consequences, and in South Africa at a school for the blind.

When we sat down at a conference in Minneapolis, I asked him to tell me the stories behind some of his photographs, which we’ve included in our narrated slideshow at the top of this post. You can also download the unedited interview (mp3, 29:21) to hear even more of these stories.

Most of us have probably harbored negative feelings about our physical appearance at some point in our lives. When these feelings lodge and fester, they deplete our spirits. I see Guidotti’s images as a visual reminder to be kinder to ourselves and more generous and joyous in how we construe beauty in all its manifestations.

    • #appearance
    • #beauty
    • #body image
    • #genetics
    • #photography
    • #positive exposure
    • #soundseen
    • #self image
    • #slideshow
    • #multimedia
    • #albinism
  • 3 years ago [Fri, May 14th, 2010 at 5:02am]
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On Being with Krista Tippett is a public radio project delving into the human side of news stories + issues. Curated + edited by senior editor Trent Gilliss.

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