This Lego nativity scene with a kataluma by Jacob Hosanna pictures the space in which Jesus was born rather than the traditional manger in a stable story.
Pádraig Ó Tuama notes in "Plenty of Room at the Inn: The Nativity Scene Resurrected" that the misinterpretation of the Christmas story, as is commonly told, may miss the point of Luke’s gospel and that Christians might miss the more important message within.
"We must always be attentive to the edges of our own storytelling. Attractive as it may be to children, and lodged as it may be upon the portrayed scenes of religious Christmas cards, it is simply incorrect to think that Mary and Joseph were forced into a stable.”
The Three Christmases of the Holy Land
by Taline Voskeritchian, guest contributor
In the lands between the Mediterranean and the Jordan River, the first of three Christmas celebrations was on December 24, the Christmas of the English, or so we thought of it then in the years of my adolescence. My family — ethnic Armenians, Christians by subscription more than piety — had settled in Jordan, a largely Muslim country, where I grew into adulthood, pulled this way and that by the three Christmases of the Holy Land. Of course it was a misnomer to call it the Christmas of the English because December 24 was celebrated by Catholic and Protestant Arabs as well.
In those days, in the 1950s and 1960s, the Middle East was a very different place from what it has become of late. Unlike the Christians of Iraq today, we had little fear, did not hide our religious affiliation but did not brag about it either. In the Holy Land of those times, celebrations of Christmas were for us and Muslims, at least at our post-colonial school which had been run for many years by English missionaries; it had a mixed student body of Christians and Muslims.
For me, the home of the English Christmas was the Ahliyyah School for Girls, which I attended after third grade and all the way to the end. The Ahliyyah, which is still a thriving school, was the successor to the Christian Missionary School, whose British headmistress was whisked away in the wake of the 1956 Suez Canal Crisis. The school’s name was changed, as well as the board. The Christmas celebrations persisted.
Making Room for Both Traditions of Christmas and Hanukkah
by Meg Smith, guest contributor
Although I was born on Christmas, I feel like I’m slightly part Hanukkah now. Each year since I remarried — an event which brought two Jewish stepchildren into my life — I have anticipated the Festival of Lights with almost as much excitement as my hybrid celebration of the Winter Solstice/Yule and Christmas.
My stepchildren are actually half-Hanukkah and half-Christmas; their mother is Jewish, their father is not. Their parents long ago agreed the children would be raised Jewish, so they are attending the several years of Hebrew school that prepare them to become a bar and bat mitzvah. Having grown up with Christian and Jewish extended families, however, they have honored their heritage from both sides by celebrating Hanukkah and Christmas from the time they were born. As each year draws to a close, they look forward to lighting Hanukkah candles as well as decorating the Christmas tree with their doting, out-of-town Presbyterian grandparents.
"Magnum Mysterium" by Chanticleer
by Trent Gilliss, senior editor
Fred Child and the producers of Performance Today have created a substantial repository of free music from the live concerts and in-studio performances they broadcast on public radio. This year, three ensembles — Calmus, New York Polyphony, and Chanticleer — are offering free downloads of some of these performances.
I’ll post one track from each group during the course of the day, but I recommend you head over to PT’s website and download them for yourself.
A Polish Grandmother’s Christmas Story
by Paul Clement Czaja, guest contributor
A Christmas scene from Syria. (Charles Roffey/Flickr, cc by-nc-sa 2.0)
As a Polish family, the real celebration of Christ’s birth for us took place on Christmas Eve with the singing of carols before sharing together a festive dinner. And then, finally, when the night outside was deep and decorated with a billion stars, all the family would sit around the Christmas tree, and our dad would give out the presents to each and every one of us. But my story takes place on that Christmas Eve afternoon so many years ago when I was still a kid growing up in the Bronx.
After my mother had prepared the big dining room table with a large, lovely white linen tablecloth, Grandma would come down from her apartment upstairs and place a white plate piled high with brown dates in the middle of the still empty table. My brother Peter and I would get up and begin eating some of these unusually sweet and sticky exotic fruits. We did so every Christmas, but on this particular time I was puzzled enough to ask Grandma how come we only got dates on that one day of the year. We never had dates on any other day — only on Christmas Eve. Why? She smiled at Peter and me and invited us to come and sit down and told us this story:
Hallelujah from Quinhagak, Alaska
by Trent Gilliss, senior editor
Rachel Naomi Remen, a former guest at On Being, passed on this delightful video made by the residents of Quinhagak, Alaska, a small village of less than 600 people near the Bering Sea. Enjoy!
Walter Brueggemann, a Disruptive and Hopeful Voice for All Ages
by Krista Tippett, host
Walter Brueggemann is a very special voice. He is one of those figures — another being Jaroslav Pelikan — who is not a household name but is revered in his universe of knowledge and accomplishment. He’s a kind of theological rock star. His name has been synonymous with the phrase “prophetic imagination” for three decades of preachers and Christian teachers. Students in all kinds of seminaries read him, and they are captivated by the man as much as his ideas. That’s my explanation for why the live video stream of our conversation is one of On Being's most-watched online interviews.
I too was thrilled to meet this man whose writings I have admired up close; he more than fulfills the promise of those writings. Walter Brueggemann is not merely an expert. He somehow embodies this tradition of the prophets that he knows as well as anyone living. He is wise and forceful, quick to laugh, passionately challenging, and fiercely hopeful. He demonstrates as much as teaches the way the prophets of the ages are disruptive of politics and culture as usual.
He helps me understand that part of a prophet’s power is in wielding language poetically rather than stridently. Beginning with the words they choose, they transcend ideological splits that actually inhibit us from seizing the great challenges and problems of our time.
"I have a dream" is the line we all remember from Martin Luther King Jr., whom Walter Brueggemann identifies as a prophet of living memory. King wasn’t talking about “enacting a civil rights bill,” Brueggemann says, “except that he was.” He points out that the prophetic voice is not issues-based. It accomplishes the harder, more necessary work of reframing the big picture of what is at stake, so that we can take in the reality of our moment in a new way, with a new sense of what might be possible.
Prophets help us connect the dots between the world as it is and the world as it might be. Prophets tend to emerge in moments of chaos and change, and this is surely a description of our age as of the 1960s or of the era of the biblical fall of Jerusalem. Walter Brueggemann helps us reclaim some important language for being people of change and chaos: the healing necessity of “lamentations,” the difference between being bold and being strident, the hard and life-giving work of letting go of comfort for the sake of what is important. That work, he says to Christian preachers and teachers, has to happen in the pulpit as in life.
Yet, even as he challenges, Walter Brueggemann calls upon mercy, another word he recovers in all its usefulness and beauty. Indeed, he shows how the two are meaningfully fused. He reminds us that the Hebrew word (like the Arabic word) for “mercy” is derived from the word for “womb.” It is the ultimate image of knowing one’s own well-being to be bound up with the well-being of another. And it comes with an extreme amount of discomfort.
How refreshing to experience a voice that is at once deeply disruptive and beautiful and critical and hopeful without any of these qualities clashing. In Walter Brueggemann’s prophetic imagination, we experience a new way of being, of living, and of faithfulness. He reminds us too — and I find this point essential — that, alongside our pantheon of prophets across time and cultures, there are countless prophets of the everyday in communities everywhere who are not and will never be famous. So many of us long to transcend what he calls “the managed prose” around us; Walter Brueggemann shows us that while this is difficult and terrifying it is can also be exhilarating and life-giving. I’m very happy to bring Walter Brueggemann’s voice to the air in this season, at this moment in time.
Image of Walter Brueggemann courtesy of Westminster John Knox Press.
"The Christmas Waltz" by She & Him to Dance Us Into the Weekend
by Trent Gilliss, senior editor
Tis the season and, yes, I’m a fanboy of She & Him. How can you not love the stripped-down, melodic version of this classic Christmas song? You can’t. Enjoy!
Editor’s note: The title was changed due to a last-minute scheduling change. Unfortunately, Tuesday turned into Wednesday!