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On Being with Krista Tippett is a public radio project delving into the human side of news stories + issues. Curated + edited by senior editor Trent Gilliss.

We publish guest contributions. We edit long; we scrapbook. We do big ideas + deep meaning. We answer questions.

We've even won a couple of Webbys + a Peabody Award.
Anonymous asked:
Could you identify the beautiful chorale music that accompanied the Maathai program?

Oh, you’ve asked a question that warms my heart!

Missa LubaThe choral music comes from an album titled Missa Luba, performed by the Muungano National Choir of Kenya. We played two tracks in our show with Wangari Maathai from that recording: the first song is the fourth section an African Mass — sung in Latin — titled “Sanctus” and the second, the African folk song “Kaunga Yachee.” (Did you know that you can listen to a streaming version of all tracks from our show’s playlist?)

The original version by Guido Haazen, a Belgian Franciscan priest, was composed for a Congolese boys choir. The liner notes of the Muungano choir’s album provide this helpful description:

Missa Luba was written before the Second Vatican Council when Latin was still the official language of the Roman Rite in Africa. This setting combines the ancient Latin text with modified African rhythms and polyphony in a manner that seems to bring out the best in both.

The rhythms and polyphony of the African settings are directly accessible to all ages. Students can see how Latin was used in this adaptation of a musical form from Africa. The tempo has been reduced so that the typical African sounds become more like that of Roman chant. The examples of African music which follow can be used to compare and contrast with those of Missa Luba. One can note the difference in using indigenous languages when it comes to indigenous music.

Sadly, earlier this summer, Boniface Mghanga, the founder and leader of the Kenyan choir, died in a car accident at the age of 56.

~answered by Trent Gilliss, senior editor