by Trent Gilliss, senior editor
OK, if you dig our program, you like public radio. And so there’s really no reason you won’t hit the replay button on this ode to public radio. And, yes, I was looking for a mention… Doh! But The Splendid Table made the list. Yeah!Comments
by Trent Gilliss, senior editor
I’ve been holding on to this performance for a few days now, keeping it in reserve specifically for a Friday morning or afternoon. And what better way to kick off the back stretch to the weekend than with the delightful intensity of jazz musician Esperanza Spalding. In this video, she captivates the room at National Public Radio with her intimate Tiny Desk Concert.
I particularly enjoyed the way Patrick Jarenwattananon paints a lush scene of her commanding presence, including when she doffs her cap to reveal her magnificent shock of hair. But, I best like his rundown of her set list:
"…she mostly called original tunes from Chamber Music Society, her new album pairing a jazz rhythm section with a three-piece string trio. The two tunes bookending her set alternated the gossamer with the rich and darkly hued: the album opener “Little Fly,” her setting of a William Blake poem, and “Apple Blossom,” featuring her regular guitarist, Ricardo Vogt.”
Listening to this performance made it easy to buy her album. I’ve been listening to it non-stop. It’s perfect.Comments
Trent Gilliss, online editor
Watch the live video stream in this post or chat with others while you watch on our SOF Live page.
Monday, April 5th, 2010 (7pm Eastern)
The Shakespeare Theatre Company
610 F Street Northwest
Beginning at 6:30pm Eastern tonight, we’ll be opening up the live video stream of a sold-out public event with Krista and Michel Martin, host of NPR’s Tell Me More. These two journalists will be discussing the role of faith in their lives and the interplay between science and religions, using Einstein’s “cosmic religious sense” as a starting point.
We’d love to hear your thoughts about this conversation. Please add your comments here.
Colleen Scheck, Producer
I enjoy the reporting of Sylvia Poggioli, NPR’s veteran European correspondent. She was formerly known in my household as “The Pope Reporter” because I often had the radio on when her stories on Pope John Paul II aired. (She was a guest on our program on the religious legacy of the late pontiff).
Last week NPR aired Poggioli’s six-part series exploring the evolving identities of Muslim women in Europe. Her stories focused on women in Germany, France, and Britain, the three European countries with the largest Muslim populations. I always like reading reporter notebooks - here’s an excerpt from her notebook for this series:
As I traveled through Europe this fall to report for this series, I remembered the words of filmmaker Yamina Benguigui, my first guide into the world of what she called “ghost women.” French-born to Algerian parents, she broke with her strict patriarchal family and married a non-Muslim Frenchman.
In her documentaries, Benguigui explored the phenomenon of some young French Muslim women who, in the early 1990s, had taken to wearing the headscarf even when their mothers did not. While many of these young women said the headscarf was a mark of their cultural identity in a society where they felt discriminated, Benguigui said it was also something else: a way of getting around the dilemma of living a double life in two different cultures. Instead of breaking with their families, “they decide to take the Koran as a weapon against their families, by submerging themselves completely in religion, brandishing the veil and the Koran, they become the leader in the family … (the Muslim girl) will not be forced to marry and she can come home when she wants. She can drive a car and she’s completely free,” Benguigui told me in 1995.
Twelve years later, I met many Muslim women who still have not found their places and are still torn by two cultures. But I also met many Muslim women who are asserting themselves much more forcefully — either in identifying with European secular culture and demanding the same rights as their Western sisters, or by appropriating Islam for themselves, through a new female perspective. Or in a combination of the two.
While there is no distinct Europe-wide pattern, in many places a quiet revolution among Muslim women is under way.
Next week we broadcast Krista’s conversation with Ed Husain, author of The Islamist: Why I Joined Radical Islam in Britain, What I Saw Inside, and Why I Left. Poggioli’s series is a good compliment to this show, and to the other programs we’ve done on Muslim women with Leila Ahmed and Ingrid Mattson, that help broaden my understanding of Islam worldwide.
(photo: [name removed at photographer’s request])Comments