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On Being with Krista Tippett is a public radio project delving into the human side of news stories + issues. Curated + edited by senior editor Trent Gilliss.

We publish guest contributions. We edit long; we scrapbook. We do big ideas + deep meaning. We answer questions.

We've even won a couple of Webbys + a Peabody Award.

An excellent TED Talk by Nigerian novelist Chimamanda Ngozi Adichie who speaks so eloquently about the danger of a single narrative. Our lives, our cultures, she says, are composed of many overlapping stories. If we don’t allow for the multiplicity of voices and narratives of a land and a people, then we risk something greater: understanding others, and ourselves.

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"The history of our country [Nigeria] is short and turbulent. They all struggle to be heard. Respect comes from understanding each other’s stories. But we shout over each other and forget to listen. If we listened, we would find that what the other person was saying is an echo of what we are saying ourselves."
— Muhtar Bakare, via The Guardian)

"The history of our country [Nigeria] is short and turbulent. They all struggle to be heard. Respect comes from understanding each other’s stories. But we shout over each other and forget to listen. If we listened, we would find that what the other person was saying is an echo of what we are saying ourselves."

— Muhtar Bakare, via The Guardian)

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A Nigerian Easter in the Midwest

Woman in Gele, Iro, and Buba

From the front door she calls, “He has risen!” Her children respond, “He has risen indeed. Let’s eat!”

I dodged church Easter Sunday this year. My mother Gbeme, however, worshipped at the Baptist church she’s been attending twice weekly for the past 20 years.

Raised Catholic in Nigeria, my mother’s Easter begins the seasonal swap from heavy wools to floral prints and pastels. She wears a beautifully vibrant gele — an intricately fashioned tie around the head worn by Yoruba women — and iro and buba — the matching outfit traditionally worn by Yoruba women — to church. She exchanges compliments with the other congregants about their upbeat clothes and steady health. For two hours the pews fill, the choir sings, and for the larger Easter crowd, the young new pastor delivers an especially rousing sermon. Soon thereafter, church dismisses. Time to eat.

For many Americans, Easter is synonymous with the egg. But in my bicultural household, Map of Yoruba and Igbo Peoplecreamy frejon is the signature Easter week delicacy. The bean soup is made of smoothly blended brown beans called ewa ibeji and steeped coconut, then sweetened with cane sugar to taste.

In the mid-1980s, my mother left metropolitan Lagos to attend college in rural Wisconsin — and made necessary modifications to the original frejon recipe. Back then international foods weren’t as integrated. In lieu of traditional Nigerian dishes, my mother observed her first few Easters amid sweet friends, sweet rolls, egg salad, and hearty Midwestern casseroles. After she graduated, she moved from Wisconsin to Minnesota, reuniting her with city dwelling, a dense Nigerian immigrant community, specialty grocers, and Easter frejon.

Read more of Caroline Joseph’s essay on Yoruban Catholic tradition.

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Guided by Orisas

Nancy Rosenbaum, associate producer

While in New York over Thanksgiving, I saw Fela!, directed and choreographed by Bill T. Jones — a new musical on Broadway that celebrates the life and legacy of Fela Kuti, a Nigerian-born musician who pioneered a new form of music called Afrobeat in the 1970s. Fela frequently used his music to condemn the corrupt military regime that held power in his country.

One of the musical’s most stirring scenes happens in the second act in “Dance of the Orisas” when Fela seeks guidance from his deceased mother (a political firebrand in her own right) who was murdered by the government when she was thrown from window at Fela’s home. Fela prepares himself for this journey by dressing all in white, and he’s guided to his mother by two orisas, or spirits, in the Yoruba-based spiritual tradition.

Fela and his mother
(photo: Monique Carboni)

Today, I listened to our program "Living Vodou" with Patrick Bellegarde-Smith to learn more about Yoruba-derived religious systems that migrated from West Africa to the Caribbean and South America with the slave trade including Vodou, Santeria, and Candomble. Patrick Bellegarde-Smith explains how some slaves continued their traditional spirituality in disguise by matching orisas to Christian saints so that slaves could “cover up what it is that you did, literally cover it up when a slave owner was approaching.”

What’s interesting to me about Fela’s example is that he did not disguise his reproach of corrupt, powerful institutions; rather, he sang out his protests with direct and galvanizing musicality. His actions didn’t go unpunished, though. According to my playbill, he was arrested over 200 times and suffered devastating beatings at the hands of the government.

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