I am done with apologies. If contrariness is my
inheritance and destiny, so be it. If it is my mission
to go in at exits and come out at entrances, so be it.
I have planted by the stars in defiance of the experts,
and tilled somewhat by incantation and by singing,
and reaped, as I knew, by luck and Heaven’s favor,
in spite of the best advice. If I have been caught
so often laughing at funerals, that was because
I knew the dead were already slipping away,
preparing a comeback, and can I help it?
And if at weddings I have gritted and gnashed
my teeth, it was because I knew where the bridegroom
had sunk his manhood, and knew it would not
be resurrected by a piece of cake. ‘Dance,’ they told me,
and I stood still, and while they stood
quiet in line at the gate of the Kingdom, I danced.
‘Pray,’ they said, and I laughed, covering myself
in the earth’s brightnesses, and then stole off gray
into the midst of a revel, and prayed like an orphan.
When they said, ‘I know my Redeemer liveth,’
I told them, ‘He’s dead.’ And when they told me
‘God is dead,’ I answered, ‘He goes fishing ever day
in the Kentucky River. I see Him often.’
When they asked me would I like to contribute
I said no, and when they had collected
more than they needed, I gave them as much as I had.
When they asked me to join them I wouldn’t,
and then went off by myself and did more
than they would have asked. ‘Well, then,’ they said
‘go and organize the International Brotherhood
of Contraries,’ and I said, ‘Did you finish killing
everybody who was against peace?’ So be it.
Going against men, I have heard at times a deep harmony
thrumming in the mixture, and when they ask me what
I say I don’t know. It is not the only or the easiest
way to come to the truth. It is one way.
You’re likely to outlive some of your greatest joys. Don’t let that be the only period in your life when you become highly aware of them. Notice joy now and it will help you become a person of peace, integrity, and strength when there is less joy in your life.
His note, dawn’s foil —
One blow to fill her pale blue bell with sound,
One impulse to deliver; that serves to sever bonds
Of all things that entangle, sully, soil.
This is the Word that blasts the sap,
The sound of force
That lifts the arms of trees;
That fashions-forth the branches from within
To raise this world of darkwood iron all around;
This the rising sound
Of the very juice by which the ground toils,
Becomes each massive trunk and slender tendril coil
Upright, upreared, at prayer.
Bright above, the morning sky awakens,
She blues and beckons like a mother’s eye toward which
The sun climbs, wings beat a path, while feet
With new-found ease
Like light along the spangled grass self-hurl,
Fast follow down that one windfall trail
Being blazed toward Canaan by what lives.
Let this day go gray, grow disenchanted:
I know the crow.
Text and poem excerpted from “On Being More Than Ourselves Alone.” Read more of Paul Martin’s complete essay.
From our senior editor Trent Gilliss:
“A poet is the ‘Amen’ before the utterance of prayer.”
~Dominique Ashaheed from Denver, Colorado
What a magnificent, strong figure, and a lyrical voice to boot. I only wish I could’ve made it to the Women of the World Poetry Slam finals this past week!
(Big thanks to City Pages for the layout.)
Here dies another day
During which I have had eyes, ears, hands
And the great world round me;
And with tomorrow begins another.
Why am I allowed two?
G. K. Chesterton,”Evening”
Poetry is for me Eucharistic. You take someone else’s suffering into your body, their passion comes into your body, and in doing that you commune, you take communion, you make a community with others.
— Mary Karr from her 2010 interview with Judy Valente on PBS’ Religion & Ethics NewsWeekly.
There is something very comforting about ritual. I have friends who go to church or sit at the Zen center. I respect that. The ritual of writing fills that need for me. Writing has been a kind of spiritual devotion for me. Listening to language, feeling stories unfold and poems arrive, being present to the page – I do not think of it as a career, I think of it as a devotion. That is a big difference to me.
Q:What is the music played behind Tom Wait's poetry reading recently posted? Thank you. Jeanne Cronin, Cambridge MA
The music bedding Waits’ reading of Charles Bukowski’s poem “Nirvana” wasn’t pulled from another song or artist. It’s actually part of a track on Waits’ 2006 album Orphans: Brawlers, Bawlers & Bastards.