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On Being with Krista Tippett is a public radio project delving into the human side of news stories + issues. Curated + edited by senior editor Trent Gilliss.

We publish guest contributions. We edit long; we scrapbook. We do big ideas + deep meaning. We answer questions.

We've even won a couple of Webbys + a Peabody Award.

trentgilliss:

A haunting and quiet scene as the Bell of Hope is rung outside St. Paul’s Chapel in New York City at 8:46 am today.
Photo courtesy of Trinity Wall Street

trentgilliss:

A haunting and quiet scene as the Bell of Hope is rung outside St. Paul’s Chapel in New York City at 8:46 am today.

Photo courtesy of Trinity Wall Street

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Bach at One in St. Paul’s Chapel

by Trent Gilliss, senior editor

Trinity Baroque Choir practices Bach at St. Paul's ChapelThe Trinity Choir and Baroque Orchestra rehearse in St. Paul’s chapel.

We’re in New York tonight preparing for tonight’s live event with Hendrik Hertzberg, Serene Jones, and Pankaj Mishra. The subject? Reflecting on 9/11 and who we want to become as a people and a society as we think forward about the next decade. The location?

St. Paul’s Chapel near Ground Zero, a centering place of refuge and aid for rescue workers and volunteers.

Performing a sound check, we got a great surprise: the Trinity Choir and the Trinity Baroque Orchestra rehearsing for their daily Bach at One concert. So, this week’s Tuesday evening melody is a bit rawer, an on-the-ground capture of one of the many other events taking place to commemorate the attacks of 9/11. Bach never sounded so right.

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Tuesday Evening Melody: “Trinity Requiem”

by Chris Heagle, technical director

As the tenth anniversary of the attacks of September 11th approaches, we’re continuing to plan for our event at St. Paul’s Chapel on September 6th. Co-produced with Trinity Wall Street, the public dialogue is called “Who Do We Want to Become? Remembering Forward a Decade After 9/11.” Three public intellectuals, Hendrik Hertzberg of The New YorkerSerene Jones of Union Theological Seminary, and the author Pankaj Mishra, will speak with Krista for an hour and then answer questions from our in-house and online audiences.

And, so it was a pleasant coincidence that just after returning from a scouting trip to the chapel, a colleague handed me a CD of Robert Moran’s Trinity Requiem. Trinity commissioned the Denver-born composer to write a piece for their youth chorus commemorating 9/11. The result, which will be released September 6th, is a lush work for voice, organ, harp, and cello. The track above is actually two — the “Offertory” followed by “In Paradisum.”

The former is a variation on Pachelbel’s famous "Canon in D." During the recording sessions in Trinity’s downtown sanctuary, as if on cue, a series of sirens can be heard passing by the church. The liner notes of the CD suggest this occurred during the best take and couldn’t be edited out. I would argue that they were meant to be there all along. Thanks to SoundCloud, you can preview the whole CD.

We’re looking for your reflections on 9/11 and specifically on how we pass on the narrative of those events to future generations. Share your thoughts with us and we’ll incorporate them into our discussion.

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