Huge loss for photography today with the death of Shomei Tomatsu. His quiet, personal approach to national devastation inspired an entire generation of photographers, filmmakers, and writers.
All photos by Shomei Tomatsu:
House 9, Amakusa Shimoshima Island, Kumamoto Prefecture, 1959
From: The Skin of the Nation
“Time Stopped at 11:02, 1945, Nagasaki,” 1961, and “Bottle Melted and Deformed by Atomic Bomb Heat, Radiation, and Fire, Nagasaki,” 1961
A huge loss. Magnificent artist.
Who Germany Wants to Be
by Trent Gilliss, senior editor
Zoe Chace’s report for Planet Money on the budgetary meltdown in Greece has got to be one of the better pieces of information journalism I’ve heard on NPR’s morning air. Lost in the debate of bailout-no bailout over Greece’s debt — and the necessity of Germany floating it — runs an undercurrent: the narrative of belonging to a unified Europe, and the varying perspectives of Germans on their responsibilities and the kind of community they want to be part of.
Chace’s focused narrative and inclusion of the voices of Germans from several walks of life deepen our understanding of some of the motivating factors driving this debate. She gives the listener a sense of history: how that past is living forward in the German psyche and how their identity — as a broken people, a vibrant culture, and a affluent nation — is predicated on the past and on whom Germans want to be in the future.
My only regret is the reporter’s use of “Kumbaya” in the piece. As I’ve shared before, I’ve taken Vincent Harding’s story to heart and will never use that reference again in such a way. Nonetheless, it’s a slight quibble and this type of reporting on thick subjects is something I long to hear more of.
Did anybody else listen to this? What’s your take? I’m also thinking through this as we push forward with a more ambitious agenda for On Being online in the coming year. Let’s talk.