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On Being with Krista Tippett is a public radio project delving into the human side of news stories + issues. Curated + edited by senior editor Trent Gilliss.

We publish guest contributions. We edit long; we scrapbook. We do big ideas + deep meaning. We answer questions.

We've even won a couple of Webbys + a Peabody Award.

Taking the Pulse of Caprica
Colleen Scheck, senior producer

Are you watching Caprica? We’ve heard from many of you who were Battlestar Galactica (BSG) fans — including our host — so I’m guessing some of you are tuning in to this prequel series. If so, you may be interested in the comments of Diane Winston, who was part of our program "TV and Parables of Our Time." Along with three other religion and culture observers, Winston is contributing to a new weekly feature devoted to delving into “deep exegesis” of Caprica:

"We loved BSG because in the post-9/11 moment, it captured our consternation and confusion. Why do they hate us? Can we justify torture? What makes us human? When can we stop fighting? Moreover, it lodged these questions in the space between human passion and species survival, mediating the religious quest for meaning with the political will to win.

Caprica, going back to how this came to be, meets us in the present. This is what we face, too: religious extremism, economic inequality, anti-immigrant fervor, a military increasingly dependent upon drones, the lure of the virtual worlds, and the comfort of slick surfaces. Like BSG, Caprica asks, “What makes us human?” But this time, the answers seem a lot closer to home.”


The Gospel According to Battlestar Galactica
Mitch Hanley, Senior Producer

Ever since Krista got me hooked on Battlestar Galactica a couple of years ago, I have noticed very few episodes that didn’t offer some not-so-subtle references to Judeo-Christian theological influences. There are countless examples throughout the program’s four seasons: a “chosen” or select group of survivors travelling great distances trying to find the prophesied “home”; the twelve tribes of mankind; transitioning from pantheism to monotheism, etc. But one of the more blatant is the refrain at the end of most speeches in BSG, “So say we all” — basically serving the same function when a congregation says “Amen” after a part of a church liturgy. And hearing the pantheistic human characters say “Gods damn it” still catches me off guard.

In this week’s program, "TV and Parables of our Time," USC professor Diane Winston notes how the writers of BSG would also weave issues found in today’s real-life news into their story lines. She cites the detainee abuse at Abu Ghraib as one example. Winston goes on to suggest that maybe we need good storytelling in order to process the events happening in our world, and that trying to understand the complexity of these events only through news media may not be enough.

As someone who finds the Bible in desperate need of an editor, I wonder if I would find the biblical stories more compelling if they had spaceships and cool sound effects and thrilling scores. Would I find the messages more relevant? I don’t know. It does makes me wonder if these modern narratives like Battlestar Galactica need to have familiar touch points, such as religious rituals and themes that we grew up with, in order to make a space-based story somehow more accessible to our terrestrial lives. Or do they just borrow from great stories, many of which can be found in religious texts? What do you think?