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On Being with Krista Tippett is a public radio project delving into the human side of news stories + issues. Curated + edited by senior editor Trent Gilliss.

We publish guest contributions. We edit long; we scrapbook. We do big ideas + deep meaning. We answer questions.

We've even won a couple of Webbys + a Peabody Award.
We come out of nowhere, don’t we, in the sense that we’re a total accident. Our parents met. There’s the accident. And, you know, we’re born. Obviously, we come from someplace physiologically. And then comes the emergence of our being, which is the psychological and spiritual emergence of our being that takes time, experience, education of a certain kind with parents and neighbors and teachers and relatives and from one another humanly. And this slow emergence of our psychological being and our spiritual being is itself a great mystery. And mystery, you bet — mystery is a great challenge. It’s an invitation, and it’s a wonderful companion, actually.
- Robert Coles, in The Inner Lives of Children.
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It seems only yesterday I used to believe
there was nothing under my skin but light.
If you cut me I could shine.
But now when I fall upon the sidewalks of life,
I skin my knees. I bleed.
- Billy Collins, from his poem "On Turning Ten"
Tagged: #childhood
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The perfect conversation for summer on the value of play throughout our lives.

What’s so fascinating is how Dr. Stuart Brown first come to study play — by studying mass murderer Charles Whitman:

"In 1966 when I was just beginning to take over and office as an assistant professor of psychiatry, a young man by the name of Charles Whitman went up to the Texas Tower in Austin, Texas, after killing his wife and mother. He perpetrated what was then the largest mass murder in the history of the United States, killing 17 additional people and wounding 41. And because I had done some studies of violence in the course of my residency in neurology and psychiatry, and because in August in Texas most people who are important are elsewhere, I was put in charge of the behavioral aspect of trying to figure out why Charles Whitman did this horrendous crime. And we brought in the world’s experts to try to figure out the motivation of Charles Whitman, even though he had been killed by vigilante crossfire at the top of the tower.

And so for a very intense period of time, in addition to doing very detailed toxicologic and — studies of his body, we retrieved as much information as possible from his prenatal area all the way up to the last hours before he died. And without going through that entire story, one of the major conclusions, which struck me and has certainly stuck with me since, was that a remarkably systematic suppression of any free play — which was largely the result of his father’s overbearing and intense personality — prevented Charles Whitman from engaging in normal play at virtually any era of his life, including his early infancy.

We thought at the end of the Whitman study that this was such a bizarre aberration in human behavior that it probably was not something one could generalize from. So as a result of the funding available and the availability of research subjects in the prison system in Texas, a team of us then studied all the young murderers whose crime was essentially homicide without their being career criminals, and we did an in-depth study of them, their families, and compared them to as well-matched a control and comparison population as we could. And, lo and behold, we discovered that the majority of them — in fact 90% level — had really bizarre, absent, deficient, seriously deviant play histories.”

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I Am from… Fire

by Angela Blake, guest contributor

SevenPhoto by Alicia Reiner/Flickr, CC BY-NC-ND 2.0

I am from fire.

I’m from the fire my father had for life and the fire my mother had for living. His was fueled by parties, drugs, wit, and self-involvement, hers by longing, anger, spite, and sweat. He was vivid; he hit her skin like sunshine and she finally felt warmth from an external source. She smoldered. He was curious to know how her sweat turned to the steam that hovered over her skin. What was her heat source? How could someone burn so hot without catching fire?

In the end, he combusted, was consumed by his own fire. In his 30’s, he was raging out of control, in his 40’s he was a smoking pile of embers. Today, he’s ash. He is gray and the heft of him scatters with the slightest breeze. Even his wit burned away. His heat from the outside stoked her burning on the inside and she nearly exploded. She had to protect herself or be destroyed.

She put down her longing, anger, and spite and put in more sweat. She worked and struggled and toiled and fought — she sweat, sweat, sweat, sweat — until the steam rose and condensed and rose and condensed, protecting her from the fire that was him and keeping the burn inside of her. It was a kiln, churning and working — always working — to produce something better, something that wasn’t just burning away life, but something that was living. She wanted to go on living, she needed to keep on living. She couldn’t let him take her, too. She couldn’t be burned away too. She had to work, work, sweat, sweat, burn, burn!

And I was born. I was ignited and her steamy sweat cooled me so I wouldn’t burn away. His flames, her burning, my birth.

I am living with a pocket full of ashes and a stomach full of embers. I am from fire.


Angela BlakeAngela Blake lives in South Bend, Indiana and regularly rants, rambles, and reflects on life as a black chick in the Midwest at Afro(ec)centric.

Angela submitted this essay in response to our call-out for readers to fill in the blank, “I am from…” If you’d like to finish this phrase and share something about yourself, your heritage, your geography, your interior mind, your imaginings or vulnerabilities, read the simple guidelines and submit your work for consideration.

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