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On Being with Krista Tippett is a public radio project delving into the human side of news stories + issues. Curated + edited by senior editor Trent Gilliss.

We publish guest contributions. We edit long; we scrapbook. We do big ideas + deep meaning. We answer questions.

We've even won a couple of Webbys + a Peabody Award.
Anonymous asked:
I am a 23-year-old Peace Corps volunteer. I am working to achieve the UN Millennium Development Goals in the Dominican Republic. I specifically work on the three health-related MDG’s.

I was listening to the interview with Yossi Klein Halevi and was touched by his retelling of the story of Anwar Sadat’s visit to Israel in 1977. Like the attainment of peace in the Middle East, the Millennium Development Goals seem like a beautiful dream that is unlikely to come true, at least in the case of the Dominican Republic. I wanted to thank Yossi Klein Halevi for reminding us about joyful twists in the story of almost “messianic impossibility.” Religion at its best can motivate to keep working towards the attainment of beautiful goals even though they seem impossible.

Jonathan Aram
Santo Domingo, Dominican Republic

Thank you for the kind words, Jonathan. A story like the late Anwar Sadat visiting Israel is one of those miraculous moments that we ought to hold on to and remember when we start to despair. I will forward on your message and thank you for the work you are doing.

I’ll admit that I have a basic news knowledge of the Dominican Republic but an insufficient understanding of the history of the country — and the island for that matter. Henry Louis Gates’ most recent series on PBS, Black in Latin America, opened my eyes to the backdrop to some of these intractable issues that challenge the people of the Dominican Republic and Haiti. But, the hour also was a heart-warming reminder about the vibrancy, pride, and rich culture of the people living on the island.

—Trent Gilliss, senior editor

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Art in the World of a Newly Independent Nation

by associate producer, Shubha Bala

Mission Delhi  Syed Haider Raza, Hauz Khas Enclave
Artist Sayed Haider Raza at Mission Delhi. (photo: Mayank Austen Soofi/Flickr)

"What was so revolutionary was that they insisted on being ‘Indian’ and ‘modern.’"
Maithili Parekh

The Progressive Artists Group was founded in India in 1947, the year the country gained its independence from Britain, to “look at the world from an Indian way, not a British way,” according to Sayed Haider Raza, one of the two living original members of this group. The New York Times recently interviewed the artist about the continued legacy of this collective, which was disbanded just a decade after its creation.

“Our ways of looking at models and compositions reflected our education, which was British. In the ’30s and ’40s there was this shift from the British way of looking at art to an Indian way, which was not just about knowledge but also informed by the senses.”

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