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On Being with Krista Tippett is a public radio project delving into the human side of news stories + issues. Curated + edited by senior editor Trent Gilliss.

We publish guest contributions. We edit long; we scrapbook. We do big ideas + deep meaning. We answer questions.

We've even won a couple of Webbys + a Peabody Award.

"When people would talk to me about you’re gonna beat this or you’re gonna slay cancer or you’re gonna — I would say what I’m gonna do hopefully is become more of who I was meant to be. And cancer has given me this huge, dramatic, turbulent opportunity to do that."

Eve Ensler is the playwright and performer who brought The Vagina Monologues into the world. She’s famous for giving voice to disruptive, healing stories of women’s bodies and women’s lives. But it was cancer that helped her make peace with her own.

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Tuesday Evening Melody: “Hallo” by DRC Music

by Chris Heagle, technical director

Cool new music and a good cause. Hard to argue with that.

This weeks’ track comes from a new project put together by Damon Albarn of Gorillaz fame. In July, he traveled to the Democratic Republic of Congo (DRC) with a group of 11 producers to record an album in 5 days… and film the whole process. The result is a remarkable collaboration across cultures called Kinshasa One Two. This song “Hallo” appears to be the early hit from the album. All proceeds from the record will go to Oxfam, which is providing aid to those affected by the deepening humanitarian crisis in the DRC.

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The Plight of the “Distant Stranger”

Trent Gilliss, online editor

Many of us have read Nick Kristof’s columns over the years. And, perhaps, like me, you’ve been moved by his words, shaken by his stories, struck dumb with melancholy and grief. But, inevitably, the “plight of the ‘distant stranger’” assumes its role in feeling the events happening over there.

The HBO documentary, Reporter, will challenge you to come closer, to care, to take action as he pursues uncovering the truths behind human rights violations and personal suffering. With Kristof leading the way, the viewer bears witness alongside his two traveling companions, a med student and a teacher, to the tricky trail the journalist walks when reporting in war-torn Congo.

The film portrays some of the ethical and moral dilemmas of being a reporter in a conflict zone. When Kristof encounters a 41-year-old woman of 60 pounds lying at the edge of a village about to die, he acts. When a warlord responsible for the raping and pillaging of thousands gives thanks to the Lord, he bows his head; when that same man, General Nkunda asks him to eat with him, he dines. Few of these decisions are made without some type of deliberation — a grimace, a pause, a controlled look. But, in the end, he always writes.

Nick Kristof in CongoHe perseveres and tries to understand the underlying aspects of the people involved. And, he asks the difficult questions that have gotten other journalists killed. I’m not trying to saint him, but I now better appreciate his work as he attempts to discover a fuller aspect of all the human beings involved. He continues to tell the difficult stories of a region that gets covered during catastrophic events, and then forgotten within a blink’s time of a celebrity foible or the next breaking news event.

I hope we can interview him for the show some day in the future and hear how he wrestles with these difficult choices — and how he continues on.

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