How do we prime our brains to take the meandering mental paths necessary for creativity? New techniques of brain imaging, neuroscientist Rex Jung says, are helping us gain a whole new view on the differences between intelligence, creativity, and personality.
“With intelligence, there’s the analogy I’ve used is there’s this superhighway in the brain that allows you to get from point A to point B. With creativity, it’s a slower, more meandering process where you want to take the side roads and even the dirt roads to get there.”
One of our most popular interviews in which Dr. Jung unsettles some old assumptions — and suggests some new connections between creativity and family life, creativity and aging, and creativity and purpose.
“Brainstorming is the worst thing you can do. The main reason why is because of this process of trying out strange new ideas versus when you put people together in a room, almost invariably they will try to conform socially. So you will get creative ideas, but you won’t get as creative when people are trying to please each other than when they’re trying to push the envelope. And so the studies invariably show that the quality of the creative ideas that people put out individually are invariably higher in quality than those done in a group format. So another myth bites the dust.” —Rex Jung
This interview with Dr. Jung on creativity is incredible. It’ll debunk myths and confirm ideas you may know instinctively but have given credence too.
Photo by Simon Drouin
There’s no doubt Wired wunderkind (my turn of phrase) and marketing guru Seth Godin have an impassioned following through his blogs and books and speaking engagements and you name it… But, he doesn’t do a lot of one-on-one interviews that canvas the sweep of his personal triumphs and failures. Krista sat down with him (via ISDN) for 90 minutes of a highly engaging conversation.
I think my favorite phrase Seth uses to describe navigating this new world of vocation/avocation is a “landscape without maps.” It’s this ambiguity that’s worth embracing rather than fleeing from. Rather than merely tolerate change, he says, we are now called to rise to it — and, we’re invited and stretched in whatever we do to be artists — to create in ways that matter to other people.
~Trent Gilliss, senior editor
Tea + Ink: The Empty Space Inside the Mountain
by Dorothée Royal-Hedinger, guest contributor
An intimate portrait of ex-Yugoslavian émigré artist Slobodan Dan Paich, Silent Crescendo follows his daily ritual of creating simple drawings with tea and ink. In response to the modern pace of the art scene, Slobodan has embraced these fluid works of art to express his searching approach to life.
Dorothée Royal-Hedinger is a producer at the Global Oneness Project, which produces and distributes films, media, and educational materials that challenge people to rethink their relationship to the world and connect them to our greater human potential. She lives in San Rafael, California.
Madness Redefined: Creativity, Intelligence and the Dark Side of the Mind (live video)
by Trent Gilliss, senior editor
What’s the line between utter brilliance and incalculable madness? Maybe it’s not a line but a shifting spectrum. Live from the World Science Festival (8pm Eastern), leading researchers discuss new studies showing that people with bipolar disorder and schizophrenia tend to possess higher creativity and intelligence.
We’ve got a producer on the ground scoping out the panelists — James Fallon, Kay Redfield Jamison, Susan McKeown, and Elyn Saks — as potential guests for On Being. Watch the live video stream and share your suggestions on whom you’d like to hear on our program.
On the Universality of Creativity in the Liberal Arts and in the Sciences
by S. James Gates
In this lecture for Westmont College’s series titled “Beyond Two Cultures: The Sciences as Liberal Arts,” string theorist Jim Gates offers his thoughts on the complementary natures of science and the liberal arts — and how the human mind formulates “systems of belief” in both disciplines.
This is the first time, in a formal structured way, I’ve been asked to speak before a group of academicians on this set of issues. It is a great honor to be invited to speak on behalf of one of the two “cultures” mentioned in the commentary by C.P. Snow (1905-1980) in New Statesman. It is also a great challenge to be so called upon to speak for an entire “culture.” Of necessity, my comments were created from the vantage point of thirty or so years of working embedded within the academic/scientific culture, and specifically within the field of physics. My views have been molded by this experience.
In preparing for this conversation, I have given much thought to how I, as a scientist, could make a valuable contribution to this tradition established at Westmont College. I believe this is best accomplished by spending most of my presentation describing the attributes of the culture of science as I have experienced them and reflected upon this experience. I claim no special abilities or qualifications to be making this presentation. I am most certainly and woefully uninformed on what I am sure must be a vast liberal arts literature on science and culture. I am, however, a theoretical physicist who has made an effort to think on such matters.
Beautiful Minds: The Creative Brain Across Time and Cultures
by Trent Gilliss, senior editor
There’s little doubt, most brain researchers agree, that genius looked much different thousands of years ago. With new tools and improving technologies, scientists are able to see traces of this evolution and observe how our brains are reshaping themselves. But, how are our ideas and commonly held assumptions about intelligence and the creative process being informed by these technologies?
In our most recent show, “Creativity and the Everyday Brain” with neuropsychologist Rex Jung, we featured this video from the World Science Festival. Here, uber-director Julie Taymor (a force of nature and creativity in her own right) and neuroscientists Rex Jung and Douglas Fields wrestle with the notions of genius over time and the possible effects of new technology on attention and creativity. It’s been one of our most popular pieces online, and I hope you’ll add your ideas to the mix.
A Heightened Potential for Creativity Even While Our Brains Slow Down
by Krista Tippett, host
Few features of humanity are more fascinating than creativity; and few fields right now are more fascinating than neuroscience. Rex Jung puts the two together.
He spends half of his time working with people living with brain illness or injury. In this role, he says, he’s something like an “existential neuropsychologist.” And what he learns there informs the other half of his working life, in the laboratory applying the newest technologies of brain imaging to the interplay between creativity, intelligence, and personality.
What I like about this interview is the humanity Rex Jung brings to his science. This is a quality of all the scientists we bring on this program, I suppose — whether it’s James Gates on supersymmetry, Jean Berko Gleason on linguistics, or Mario Livio on astrophysics. I’m fascinated by the richness of this exchange between humanity and science when you simply shine a light on it. Rex Jung, for example, got interested in studying brains as a volunteer for the Special Olympics. He came to love and revere the participants with supposedly “imperfect” brains.
Rex Jung first made a mark in the field of deciphering the brain networks involved in intelligence. But he was always aware that there is something more than intelligence involved in lives of beauty and integrity and vigor.
Now he’s working on the emerging frontier of the study of creativity — and how it is different from, as well as related to, intelligence. He and his colleagues have notably helped identify a phenomenon they’ve called “transient hypofrontality.” That’s a daunting name for an experience many of us will recognize. Simply put, Rex Jung says that intelligence works like a “superhighway,” with massive numbers of connections being made between the different parts of the brain with speed and directness. When we become more creative, our powerful, organizing frontal lobes downregulate a bit. The creative brain is a “meandering” brain. The superhighways give way to “side roads and dirt roads,” making possible the new and unexpected connections we associate with artistry, discovery, and humor.
One of the most helpful things about this conversation is the commonsense way Rex Jung describes the implications of his research. He says to take those famous stories we have of moments of great creative discovery — like Archimedes wallowing in his bath when he had his eureka moment — and be attentive to how we all prime our brains to be less directed, more creative. Some of us take a bath, some take a walk, some take a drink.
This cutting-edge research is a resounding affirmation of something we know we need in the 21st century but struggle to create: downtime. It’s a call to make this possible for our children too. Again, I think we all know this. For science to demonstrate it as a necessary precondition for creativity is bracing and helpful.
I appreciate the way this research validates the creativity of the everyday: of humor, of relationships, of social as well as personal, scientific, or artistic innovation. Rex Jung is also part of an emerging discipline called “positive neuroscience” — studying what the brain does well and, by implication I think, how what we are learning about our brains can be of benefit to our common life. He even believes that while there is loss in an aging brain — the phase many of our baby boomer brains have now entered — there is also a potential for heightened creativity in that very slowing down.
There are intriguing echoes between this research and neuroscientist Richard Davidson’s discoveries at the University of Wisconsin about how it is possible through behaviors — and with practice — to keep changing our brains across the lifespan. After listening to Rex Jung, I’ve become more aware of how I sometimes get myself into agonizing moments, when I need to be creative (on deadline, of course) but haven’t made the space for my frontal lobes to downregulate and let it happen.
I like feeling more in touch with my frontal lobes. I also like the way Rex Jung questions whether there is a necessary connection between creativity and difficult personalities (e.g. Steve Jobs). From my vantage point, I also feel we may be on the cusp of realizing new creative potentials in ourselves — again, in the everyday. I’ll let my brain meander here awhile to consider that. Talk about having your cake and eating it too; I get to delight in the purposefulness of meandering.
Brain Researcher Rex Jung: A Twitterscript
by Susan Leem, associate producer
Neuropsychologist Rex Jung is asking important questions about the origin and purpose of human creativity. He’s using the latest laboratory techniques to peek inside our mental process with brain imaging. What he has found along the way “unsettles some old assumptions” about intelligence, creativity, personality, and even how we perceive ourselves as aging creatures.
On February 23rd, we live-tweeted highlights of his interview with Krista Tippett and have aggregated them below for those who weren’t able to follow along. Follow us next time at @BeingTweets.
The Rules of a Creator’s Life
A fine list of rules from creativesomething to consider and contemplate on this gorgeous Saturday winter morning. Non?
Click to view a tad‒bit larger. And share with your friends, co‒workers, and creative icons.
~reblogged by Trent Gilliss, senior editor