Bending to a common purpose is more important than arising from a common place. Of course, just remaining alive and Indian for the last 150 years has been one of the hardest things imaginable. A respect for blood is a respect for the integrity of that survival, and lineage should remain a metric for tribal enrollment. But not the only one. Having survived this long and come this far, we must think harder about who we want to be in the future, and do something more than just measure out our teaspoons of blood.
—David Treuer, from the Ojibwe author’s op-ed in The New York Times on ”blood quantum laws” and how they have been used historically to cast out members without pure tribal bloodlines.
Hear him talk at length with Krista Tippett about how his Ojibwe language is the only vehicle that can carry forward the unfolding experiences of culture in the On Being show "Language and Meaning: an Ojibwe Story."
How an Idea Becomes a Show
Rob McGinley Myers, Associate Producer
Each week at SOF, we get together in a small conference room to talk about the upcoming production schedule and other mundane matters, and for the last 15 minutes or so we toss around potential future topics for shows. A few months ago, I tossed out a vague idea for a show about endangered languages. This weekend that vague idea becomes a reality as our show “Sustaining Language, Sustaining Meaning.”
Coming up with a good idea for a show is the easy part. What’s hard is finding the right person to speak on that topic. In this case, Krista wanted to find someone who was trying to save the language of his or her own people, who could also speak about how the loss of that language could result in the loss of cultural and spiritual practices. But there are thousands of endangered languages around the world. Where to start?
I went down several blind alleys — contacting the Living Tongues Institute, doing Nexis searches, e-mailing linguists — before I made the lucky decision to contact the novelist David Treuer. I was familiar with his work, I knew he was Ojibwe and that he had a background in anthropology, so I thought he might know someone who was working on a language revitalization project. He wrote back to my e-mail the next day.
You’ve come to the right place! I just published an article in the LA Times about that very subject. In addition to writing and teaching I am involved (with a group of others) in efforts to preserve and protect the Ojibwe language. Our most recent effort is research (recording, translating) aimed at creating the very first Ojibwe grammar book; work which runs parallel to spiritual and ceremonial work.
Suddenly, this huge, unwieldy topic of endangered languages had acquired a specific language — Ojibwe — and on the day Krista interviewed him, David Treuer helped bring into focus the specific people engaged in trying to save that language. My favorite moment in that interview was the story David tells of interviewing the Ojibwe elder Eugene Stillday, who recounted a childhood moment of sitting in his house when his entire family was sick with influenza, and the only thing that kept him from freaking out was staring at the flickering light in the stove. To me, that light in the stove seemed like a metaphor for the language itself. The light helped keep Eugene Stillday calm, and the language helped keep the memory of that day alive.
That story became even more real when David Treuer’s brother, Anton, sent us the actual recording of Eugene Stillday telling the story in Ojibwe. We wanted more recordings of Ojibwe speakers, but Anton Treuer was leaving town, so David suggested I check with his friend Keller Paap, an Ojibwe immersion school teacher in Wisconsin.
Unfortunately, it was Keller’s last week of school before summer, which is always chaotic for a teacher. He said he would try to find some recordings, but it took him a little while to dig through what he had. As our deadline for finishing the show crept closer and closer, I kept checking my inbox. Then, just in time, Keller sent me his recordings, and they were magic. We used the sound of him speaking Ojibwe to his three-year-old son at the top of the show, and we closed the show with the recording of him singing an Ojibwe song he wrote with his students.
It was amazing to finally hear all those pieces fit together. To me this is what radio is all about: the marriage of words and sounds that go beyond words. David Treuer has some profound things about the power of language to keep culture alive, but hearing Keller Paap literally passing that language onto his son and the enthusiasm of his students singing in Ojibwe, that just makes the whole thing real.