A Nigerian Easter in the Midwest
From the front door she calls, “He has risen!” Her children respond, “He has risen indeed. Let’s eat!”
I dodged church Easter Sunday this year. My mother Gbeme, however, worshipped at the Baptist church she’s been attending twice weekly for the past 20 years.
Raised Catholic in Nigeria, my mother’s Easter begins the seasonal swap from heavy wools to floral prints and pastels. She wears a beautifully vibrant gele — an intricately fashioned tie around the head worn by Yoruba women — and iro and buba — the matching outfit traditionally worn by Yoruba women — to church. She exchanges compliments with the other congregants about their upbeat clothes and steady health. For two hours the pews fill, the choir sings, and for the larger Easter crowd, the young new pastor delivers an especially rousing sermon. Soon thereafter, church dismisses. Time to eat.
For many Americans, Easter is synonymous with the egg. But in my bicultural household,
creamy frejon is the signature Easter week delicacy. The bean soup is made of smoothly blended brown beans called ewa ibeji and steeped coconut, then sweetened with cane sugar to taste.
In the mid-1980s, my mother left metropolitan Lagos to attend college in rural Wisconsin — and made necessary modifications to the original frejon recipe. Back then international foods weren’t as integrated. In lieu of traditional Nigerian dishes, my mother observed her first few Easters amid sweet friends, sweet rolls, egg salad, and hearty Midwestern casseroles. After she graduated, she moved from Wisconsin to Minnesota, reuniting her with city dwelling, a dense Nigerian immigrant community, specialty grocers, and Easter frejon.
Read more of Caroline Joseph’s essay on Yoruban Catholic tradition.
Easter Sunday Soundtrack #11: “The Great Doxology”
by Trent Gilliss, senior editor
The eleventh and final song to round out our Easter Sunday soundtrack for this year’s Pascha won’t leave your head. It’s a chant by The Monastic Choir of the Valaam Monastery called “The Great Doxology.” To those Orthodox Christians, Happy Pascha!
Easter Sunday Soundtrack #10: “Seven Magnificat Antiphons/O Weishit”
by Trent Gilliss, senior editor
Number ten in our Orthodox Easter Sunday soundtrack is “Seven Magnificat Antiphons/O Weishit” — composed by Arvo Pärt. This track comes to you from the On Being playlist for “Restoring the Senses: Gardening and Orthodox Easter” with Vigen Guroian. It’s exquisite.
Easter Sunday Soundtrack #9: “The Healing Bird”
by Trent Gilliss, senior editor
The ninth song in our Orthodox Easter Sunday soundtrack comes from the Hover Chamber Choir of Armenia, “The Healing Bird.” This track comes to you from the On Being playlist for “Restoring the Senses: Gardening and Orthodox Easter” with Vigen Guroian. Happy Pascha!
Easter Sunday Soundtrack #8: “Hayrapetakan Maghan”
by Trent Gilliss, senior editor
Continuing our string of sacred choral music songs of Armenia, a prayer to the patriarch titled “Hayrapetakan Maghan.” This track comes to you from the On Being playlist for “Restoring the Senses: Gardening and Orthodox Easter” with Vigen Guroian. Happy Pascha!
Easter Sunday Soundtrack #7: “Our Es Myer Im”
by Trent Gilliss, senior editor
The seventh song in our Orthodox Easter Sunday soundtrack, a chant of crucifixion, is part of the sacred choral music tradition of Armenia: “Our Es Myer Im“ meaning “Where are you, my mother.” This track comes to you from the On Being playlist for “Restoring the Senses: Gardening and Orthodox Easter” with Vigen Guroian. Happy Pascha!
Easter Sunday Soundtrack #6: “Batz Mez Ter”
by Trent Gilliss, senior editor
The sixth song for tonight’s Orthodox Easter Sunday soundtrack is part of the sacred choral music of Armenia: “Batz Mez Ter” meaning “open for us.” This track comes to you from the On Being playlist for “Restoring the Senses: Gardening and Orthodox Easter” with Vigen Guroian. It’s exquisite.
Easter Sunday Soundtrack #5: “Otche Nash (Our Father)”
by Trent Gilliss, senior editor
Number five in our Orthodox Easter Sunday soundtrack is ”Otche Nash (Our Father)” by the Russian composer of liturgical music Nikolai Kedrov, Sr.
This track comes to you from the On Being playlist for “Restoring the Senses: Gardening and Orthodox Easter” with Vigen Guroian. It’s exquisite.
Easter Sunday Soundtrack #4: “Spiegel Im Spiegel”
by Trent Gilliss, senior editor
The fourth track in our Orthodox Easter Sunday soundtrack is “Spiegel Im Spiegel” — a piece by Estonian composer Arvo Pärt in 1978 that was originally written for a single piano and violin.
This track comes to you from the On Being playlist for “Restoring the Senses: Gardening and Orthodox Easter” with Vigen Guroian. It’s exquisite.
Easter Sunday Soundtrack #3: Rachmaninov’s “Liturgy of St. John Chrysostom: Bless the Lord, O My Soul”
by Trent Gilliss, senior editor
The On Being playlist for “Restoring the Senses: Gardening and an Orthodox Easter” has been on the repeat loop for most of this week. It’s exquisite, so I’m releasing each track over the next several hours (two are already up!) here on Tumblr. Reblog if you like, and share with your readers/listeners today.
Here’s the third song in our Easter Sunday soundtrack, Rachmaninov’s “Liturgy of St. John Chrysostom, Op. 31: Bless the Lord, O My Soul” by The Choir of the Moscow Church.










