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On Being with Krista Tippett is a public radio project delving into the human side of news stories + issues. Curated + edited by senior editor Trent Gilliss.

We publish guest contributions. We edit long; we scrapbook. We do big ideas + deep meaning. We answer questions.

We've even won a couple of Webbys + a Peabody Award.
If only it were all so simple! If only there were evil people somewhere insidiously committing evil deeds, and it were necessary only to separate them from the rest of us and destroy them. But the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?
- Aleksandr Solzhenitsyn, from The Gulag Archipelago 1918-1956, as quoted in this On Being episode "The Problem of Evil"
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TimeGuards/SpiritGuards Trent Gilliss, Online EditorFigurative sculpture installations take on new meaning within the context of location. Art of the highest human form. Manfred Kielnhofer’s sculptures accomplish this task. The transitory nature of the work remind me of Antony Gormley’s public sculptures, especially his “Another Place” series of 200 craggy, metal figures on the ocean beach.  (photo: Matthew Beddow/Flickr)But, the Austrian artist’s work conjures up a more ethereal, mystical quality. They’re shrouded in mystery calling out their ancestors and their progeny. When the viewer looks from particular angles, they become diaphanous, almost soulless — like the ring-wraiths, the Nazgul, from The Lord of the Rings or even a rougher-hewn predecessor in Prague.  Even the introductory paragraph of the Austrian artist’s site reads like the opening to an ancient future, calling on the Druids of Stonehenge and the crusaders of Everquest or the worlds of Myst:  In the ages of the ancient advanced civilizations the presence of the Guardians of Time was recognized with respect, reverence and humility. Over the millennia a new mystery was formed and only a few chosen ones, like high priests, spiritual masters and shamans were granted to study it. They were the ones that got a deeper insight in the secret of THE TIME GUARDIANS. The beings were referred to as visitors from other systems, protectors or destroyers and even gods.(photos courtesy of the artist)
TimeGuards/SpiritGuards Trent Gilliss, Online EditorFigurative sculpture installations take on new meaning within the context of location. Art of the highest human form. Manfred Kielnhofer’s sculptures accomplish this task. The transitory nature of the work remind me of Antony Gormley’s public sculptures, especially his “Another Place” series of 200 craggy, metal figures on the ocean beach.  (photo: Matthew Beddow/Flickr)But, the Austrian artist’s work conjures up a more ethereal, mystical quality. They’re shrouded in mystery calling out their ancestors and their progeny. When the viewer looks from particular angles, they become diaphanous, almost soulless — like the ring-wraiths, the Nazgul, from The Lord of the Rings or even a rougher-hewn predecessor in Prague.  Even the introductory paragraph of the Austrian artist’s site reads like the opening to an ancient future, calling on the Druids of Stonehenge and the crusaders of Everquest or the worlds of Myst:  In the ages of the ancient advanced civilizations the presence of the Guardians of Time was recognized with respect, reverence and humility. Over the millennia a new mystery was formed and only a few chosen ones, like high priests, spiritual masters and shamans were granted to study it. They were the ones that got a deeper insight in the secret of THE TIME GUARDIANS. The beings were referred to as visitors from other systems, protectors or destroyers and even gods.(photos courtesy of the artist)

TimeGuards/SpiritGuards
Trent Gilliss, Online Editor

Figurative sculpture installations take on new meaning within the context of location. Art of the highest human form. Manfred Kielnhofer’s sculptures accomplish this task. The transitory nature of the work remind me of Antony Gormley’s public sculptures, especially his “Another Place” series of 200 craggy, metal figures on the ocean beach.

(photo: Matthew Beddow/Flickr)

But, the Austrian artist’s work conjures up a more ethereal, mystical quality. They’re shrouded in mystery calling out their ancestors and their progeny. When the viewer looks from particular angles, they become diaphanous, almost soulless — like the ring-wraiths, the Nazgul, from The Lord of the Rings or even a rougher-hewn predecessor in Prague.
Manfred Kielnhofer’s Time Guardians
Manfred Kielnhofer’s Time Guardians

Even the introductory paragraph of the Austrian artist’s site reads like the opening to an ancient future, calling on the Druids of Stonehenge and the crusaders of Everquest or the worlds of Myst:

In the ages of the ancient advanced civilizations the presence of the Guardians of Time was recognized with respect, reverence and humility. Over the millennia a new mystery was formed and only a few chosen ones, like high priests, spiritual masters and shamans were granted to study it. They were the ones that got a deeper insight in the secret of THE TIME GUARDIANS. The beings were referred to as visitors from other systems, protectors or destroyers and even gods.
Manfred Kielnhofer’s Time Guardians

(photos courtesy of the artist)

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