Nurture Wherever It Is Cold, Nurture Wherever It Is Dark
by Preeti Kaur, guest contributor
In the Sikh faith, the role of the nurturer is one, among many, of the celebrated roles of all Sikhs, regardless of gender. My own father often reminisces to me of how his mother would nurture his growth and curiosity by imparting Sikh teachings to him while he was growing up in Dharamsala, India as a post-Partition refugee family. Everyday when he returned from school, his mother recited the Janam Saakhis, a collection of “birth stories” based on the life and lessons of the first Sikh guru, Nanak Dev Ji. He remembers this nurturing time as his favorite time of the day.
I recently saw a video of Harneel Singh, an extraordinarily eloquent young American man, describing his painful experience growing up as a Sikh boy wearing a patka (a Sikh mini-turban) in school, where he was often taunted and bullied. He speaks very freely that his experience is something familiar to many young people.
The patka is worn by children in preparation for wearing a full turban as a grown Sikh. Many young Sikh boys wear patkas throughout the world, including in America, where Sikhs have lived for over one hundred years. As adults, many Sikh men (and some Sikh women) wear a full turban, or dastaar, as a display of their commitment to accepting their body as it has grown and to distinguish themselves as physically committed to a path of justice. The global political climate of recent years, where turbans are inaccurately portrayed as the garb of global terror, has increased suspicion and violence against turban-wearing Sikhs especially in the form of hate crimes, down to the youngest members of our society in the form of school bullying.
Harneel Singh shares the tender points of his story because he has been nurtured to a point of strength — perhaps through his mother or father, or perhaps through his friends, or the adults in his life, or perhaps even by nurturing his own self, giving birth to a reflective young man.
The following poem, written for the young men who wear turbans in my life, is to honor all steps in the process of nurturing. This includes the process of negative experiences entering our lives — where it is cold, where it is dark — which provide us an opportunity to nurture others and ourselves.
where ever it is dark
after school i tell my mummy
i don’t want to go back tomorrow
she asks me why
i tell her today in the playground
kids push me punch me kick me
shout POTATO HEAD! RAG HEAD! ALLADIN! OSAMA BIN LADIN!
everything i am not
i throw fists back call them ugly
things too i imagine the bullies
as yellow toothed neon green eyed gorillas
like the ones in my closet at night
my cheeks burn my heart thumps
i am MAD i didn’t start this! i am just one
no one listens when i yell STOP IT! LEAVE ME ALONE!
i want to hide in a tent made of my sky blue bed sheets
i wish for a galactic force field
but no hands shield my head
when the bullies rip my
patka off my head
there is no superman
on this playground not even pretend
not sammy who i swing with
everyday on the monkey-bars
or alberto who swaps strawberry jelly sandwiches
with me in the cafeteria
not jenny who i tell knock-knock jokes with on the bus
not even the adults who patrol the playground
with whistles and detention slips to the principal’s office
so everyone might follow the rules
after bloody noses bruises scratches
after we are trees pulled out of the ground
a pile of mud surrounding us
our teacher mrs. jones sits us down
why did you punch back she asks
the teacher pulls me out of the ground some more
inside i am not a tree
inside i am a match
like the ones my daddy warns me not to play with
an orange blue fire on a stick of arms and legs
which grows short in two seconds
burning my insides too fast
i go home and cry and cry
i tell my mummy everything
mummy wraps her arms around my shoulders tells
me she loves me with her eyes
she unwraps my joora lets loose
my long hair runs her fingers through
mummy whispers your hair
is the night sky your hair
is the universe she combs
my kes with a kanga
twists my hair firm on top of my head
a galaxy you carry high mummy says
she takes the square patka
angles the cloth like a diamond
sets the patka on my scalp
ties it tight
mummy tells me this patka crowns you
one day you will wear a turban
cloth as long as the seven oceans
the full span of the earth
will rest on your head
be brave young prince
like Sahibzaadas Zorawar Singh Fateh Singh
when bullies big as kings
threaten them for carrying the universe on their heads
when bullies locked them
three nights in the cold in the dark
they raised their chins high no tears
they turned their fists to hearts
practiced the ways of the lion prince
with questions and conversation
my cheeks i kiss her back
i tell her i will go back
to school tomorrow i will be
a shooting star prince
bright and brave
where ever it is cold
where ever it is dark
This Mother’s Day, I celebrate my own mother and I celebrate the nurturing spirit which we can each inculcate by sharing the stories of our lives, our own janam sakhis, our own birth stories.
Preeti Kaur is an American of the Sikh faith living in San Joaquin Valley, California. You can read more of her poetry at The World I Stitch.
We welcome your original reflections, essays, videos, or news items for possible publication on the On Being Blog. Submit your entry through our First Person Outreach page.
A Reprieve from Myself: What’s Revealed in a View
by Sarah J. Hart, guest contributor
My last two years in Brooklyn I felt fortunate to have the view I did. My windows faced east, and, although the blank wall of another building loomed large directly in front, to the right grew a luscious tree and above was an unobstructed view of sky. I often woke at dawn and would stand on the fire escape and soak in the morning, while it still felt clear and clean.
Over the five years I lived in “the city” I learned to train my eyes away from a lot of what was around me: trash exploded from vandalized garbage bags; the grey on brown on dingy grey of sidewalk, street, and dirty buildings; tawdry advertisements; glaring lights. Instead I’d glue my gaze on any scrap of nature available: a leaf splattered on the curb; weeds flourishing in an empty lot; wheeling pigeons, making the sky sparkle with their sunlit wings. By the end of my five years in NYC I felt I struggled endlessly to find enough beauty that I might endure the ugly. “This is absurd,” I thought. “Clearly the city is the wrong environment for me.”
In January of this year I had the opportunity to move out and, with great relief, I did.
Now I live in the woods. There are no other houses in sight. I am on 40 acres, embraced in a bear hug of state land. When I look out my window, I see only beauty: layers of hemlock, bright clusters of beech leaves, spindly maples with slender branches that shatter the sky.
Whether it’s a sun-soaked day that impels me to shut my computer and go out for a walk (or at least to do something useful, like fill the wood box) or an overcast one with a moody sky and pinches of sleet, I see that there is always a perfect harmony in the colors and textures around me. In the woods I am humbled — in that way that’s also elating — with the reminder of all the living and dying and churning forth of ephemeral beauty that is happening around me all the time, whether I am paying attention or not.
Living in such an environment induces a certain shrinking down to size, and a correlating peace with one’s place in this world. Red squirrels and red maples do not seem to fret over the “good enough-ness” of their lives, and it starts to feel a bit out of line to do so myself. I see their perfection — the kind that is inherent rather than measurable — and find it easier to see that same quality in myself as well, ongoing toils notwithstanding.
But of course, I could have felt this in the city. Strictly speaking, the city is no less a natural environment than the one up here. It too evolved from the tumble of cause and effect of living things trying to survive. It is certainly no less vibrant an ecosystem. True, in an urban landscape the parameters of opportunity and constraint are mostly man-made, but they yield an abundance of variety equivalent to that in a woodland environment. There’s differentiation, specialization, and the endless burgeoning of micro-complexity within the larger landscape.
Indeed, there was a time when the city inspired in me similar feelings as the woods do now. I moved there at a time in my life of greedy growth, too hungry for the tidy flower box of a town I lived in. New York City had the appeal of wilderness — an expanse of unknown, potential, and gritty reality.
To love the city is to feel a great compassion for the swarms of other people around you. All those lives, all that urgent self preservation, the palpable vulnerability and ferocity. The beauty of it can break your heart.
“A man never discloses his own character so clearly as when he describes that of another,” an insightful person is said to have said. This observation is true. And it also applies to our descriptions of the world around us. What we see in the landscape outside the window is, truly, a window onto the landscape inside.
New York City lost its beauty not because it changed (if anything it has become thrillingly greener in the years since I moved there, what with the urban agriculture movement, the roof top farms, and so on) but because I lost my ability to see it. My dissatisfaction with the city increased in direct correlation with my dissatisfaction with my life and dissatisfaction with myself for failing to improve that life. The fewer hopes and ambitions I managed to fulfill, the fewer opportunities the city seemed to provide for peace, contentment, and happiness. I condemned it as a place of harsh judgment and didn’t notice that I was the harshest judge.
I moved to the woods to gain a reprieve from the city, but what I really gained is a reprieve from myself. Of course, the change of view outside my window is very real, and one I appreciate intensely, but I know the significant change is actually in my point of view. Bickering at the corner deli used to make me groan, but squabbles of the same order at the birdfeeder make me giggle. I wince at lurid colors in plastic, but delight in the same hues when discovered in lichen. Although I’m a bit of an oddity in the small town I now call home, I feel thoroughly comfortable, as I never managed to feel when in the midst of thousands of peers.
I know there have been times in my life when I could not have appreciated this environment as I do now. And who knows, perhaps I’ll be ill content again someday. But I hope I do not forget that beauty is not a quality to seek, only to see.
Sarah Jean Heart is a writer, editor, and reporter living in Boonville, New York. You can read more of her writing and view more of her photography at The Perspective Project.
We welcome your reflections, essays, videos, or news items for possible publication for the On Being Blog. Submit your entry and contribute a deeper understanding of the world around us.
Redeeming the Irish Catholic Church and Encountering the Face of an 8-year-old Child
by Trent Gilliss, senior editor
Diarmuid Martin, the archbishop of Dublin, is one of those men who may be just what the Roman Catholic Church needs at this moment. A clergyman with clear vision, a full heart, and a will to see the Church he loves survive.
The crisis of the sexual abuse of children by priests and the cover-up by the Church has led to diminishing attendance and a dearth of Irish clergymen. In a move that defied the actions of his predecessor and contrary to the wishes of the Vatican, Archbishop Martin provided “tens of thousands of pages of evidence against specific priests.”
In this powerful 60 Minutes report that aired on March 4, Bob Simon sat down with Archbishop Martin to discuss the shrinking enrollment and attendance, the devastation of the Church’s actions, and his will to see it prosper once again. And, it’s near the end, when Archbishop Martin talks about his encounters with victims and trying to put a face to the child who was betrayed that is most moving:
Bob Simon: When an abused child comes to you, archbishop, what do you say to him or to her?
Archbishop Martin: I usually meet them when they’re many, many years later. That’s when they come forward. What I try to do is imagine what they looked like when they were a child.
One man told him he had been assaulted when he was only 8 years old.
Martin: Basically he had been raped, you know, and he’d been raped in a sort of chapel, which makes it even more, more, heinous.
Simon: Can you reveal what you said to him?
Martin: I don’t say much. I listen.
The archbishop was so traumatized by this man’s story that when he visited a school the next day, he asked to see children the same age as that child raped in that chapel.
Martin: And the teacher said, “Where would you like— would you like to see some of the classes?” And I said that, “Okay, I’d begin— I’d like to see 8-year-olds.” And he must have thought I was crazy. But if you went in on the day of the opening of a new school, where you know, when the archbishop and the minister are coming, and the 8-year-olds are all dressed up and with their hair combed and so on. It’s devastating.
Simon: You couldn’t imagine it?
Martin: It’s just, you know, what do you say? You know, you just see— you see the— you know, you see that— you know, to— it was just somebody like that that was— I mean, a grown man is one thing. But when you actually see a child, you need to do that.
Happiness Is the Last Recourse
by Trent Gilliss, senior editor
We receive quite a few responses from people who are spurred to create or make something, to act or make a decision after listening to one of our shows. Renee Yates, a woman with multiple degrees in advertising, marketing, and theology living in Evanston, Illinois, wrote this poem “after listening to Ms. Tippett’s interview with the Dalai Lama”:
When pleasure no longer buries the pain
And worry does not pay the bills,
When depression ceases to shield the rage
And anger does not repair the rift,
When hope no longer blunts the fear
And sadness does not bring the dead back to life,
When all feelings have finally quenched
And frustration has yielded to peace,
Happiness is the last recourse.