Kashmir Through the Lens of Ami Vitale
by Andy Dayton, associate web producer
News broke last Thursday that mass graves were uncovered in Indian Kashmir containing 1,500 unidentified bodies. This is sad news, but it stood out to me especially because I had just finished reading an interview with photojournalist Ami Vitale in which she discusses some of her photos of Kashmir.
The interviewer mentions that Vitale had come under criticism for photos she took of the area during conflict, that they were “too pretty.” Vitale’s response:
"There are beautiful human beings caught in the middle of something much bigger than themselves. Unless we can see the humanity that exists everywhere and allow the people to touch us in some way, then there will never be resolution. We must be forced to see ourselves in the faces of war and realize that in fact, we are all no different from each other."
(photos: Ami Vitale/Getty Images)
Dancing with Sidi Goma: The Black Sufis of Gujarat
Nancy Rosenbaum, Associate Producer
I recently attended a dance workshop in Saint Paul with Sidi Goma, a troupe of African-Indian Sufis from Gujarat, India who were visiting Minnesota to perform at a local festival. I’ve explored a variety of mostly West African dance styles, but this practice was entirely new to me.
The Sidi people migrated from East Africa to India 800 years ago and it isn’t clear which modern-day African countries they originally hailed from. The Sidis express their mystical Sufi Muslim faith through an exuberant dance and musical tradition. The idea, as I understand it, is for the performers to connect with the Divine and inspire the audience to experience a kind of divine transcendence through this joyful expression.
As you’ll see in the video we’ve posted of the workshop, the dancing and rhythm picks up speed and culminates in a crescendo. I wondered whether there’s a connection here with the whirling dervish who practice the sema — a form of ecstatic worship we explored in our program on Rumi. Some of the Sidi dancers’ movements are inspired by animals — notably birds. You’ll notice how they use their eyes as much as their limbs. It actually reminded me of the popping and locking break dancers are known for.
At the end of the evening, another workshop participant fetched a cowbell from his backpack. The bell is a kind of percussive instrument sometimes attached to an African drum called doun doun. It seemed like the Sidis were unfamiliar with the cowbell, but their faces beamed with delight when it was played along with their instruments. Only one member of the group spoke English but we all danced and relished in the music together — a refreshing minder that movement and rhythm can transcend verbal language.
Special thanks to The Ordway and Paul Escalante for giving us permission to post this video clip.
Repossessing Virtue: Pankaj Mishra on the Dangers of Progress
» download (mp3, 14:06)
Shiraz Janjua, Associate Producer
Looking ahead to next week’s refreshed and resonant broadcast of our Buddha in the World program, here’s some new material with the guest of that program, Indian journalist Pankaj Mishra. In the original interview with Krista in 2005, he had come out of a personal adventure retracing the steps of the Buddha and reflecting on his modern-day relevance. He had some powerful things to say about globalization, so we sought out his thoughts once more, this time on the economic crisis.
Now, as he did in that program, he critiques the ideologies of progress and globalization. But his critique makes me think of something in our Recovering Chinese Religiosities program: we often measure progress solely through economic terms; we measure China’s and India’s increased economic power as invariably good. And the logic is fairly convincing: if a country has more money, its citizens must have a higher standard of living, and must therefore be happier.
But, unfortunately, the opposite must also be true — that when we lose money, we lose happiness, because we lose security. Never mind “we” — maybe I’m just talking about myself. I am secure when I know I have a roof over my head, a job, food nearby, the whole nine. Yes, I admit it: having money makes me worry less about the future.
So how do we deal with this unhappiness and insecurity? As Pankaj Mishra says, we don’t have to invent some new solution to our way of living. Our traditions already have resources to heal us. We need to live like we’re bound to the people around us. Perhaps doing so — especially in a society where we value individualism and specialization — would have prevented the larger crisis. Well, who can say. We can’t really apply that program across society, but we sure can try it in our own lives. I suppose as the news gets worse day by day, being bound to other people is one way we might collectively stay afloat.