“People usually consider walking on water or in thin air a miracle. But I think the real miracle is not to walk either on water or in thin air, but to walk on earth. Every day we are engaged in a miracle which we don’t even recognize: a blue sky, white clouds, green leaves, the black, curious eyes of a child — our own two eyes. All is a miracle.”
—Thich Nhat Hanh, from The Miracle of Mindfulness
Photo by Martin Gommel on Flickr
Hard not to be overly romantic about Italy when you see HDR photos of this sunset over the Basilica of Saint Francis in Assisi.
Tough work writing up summaries of Krista Tippett and On Being’s online activities of the week and creating a narrative…
Photo by NKCPhoto/Flickr, cc by-nc-nd 2.0
NASA’s Mars Rover Opportunity captured this image looking eastward over the Endeavour Crater late in the afternoon of Opportunity’s 2,888th Martian sol (day) which corresponded with March 9, 2012 here on Earth. In the foreground, Opportunity’s own shadow appears, in a sort of one-step-removed self-portrait. […] The image is a mosaic of about a dozen images and presented in false color to draw out certain features of the topography.
Apropos to our upcoming show with deep sea explorer Sylvia Earle, who reminds us that we ought to explore the depths of our oceans and selves as much as we do outer space. She’s right; nevertheless, this is marvelous.
Light Painting the Mines of North Wales
by Trent Gilliss, senior editor
If you’re looking for a brief respite between Thanksgiving meals or a brief interlude to the NFL triple play, check out this short film by Andrew Telling and Owen Richards. They shadow photographer Robin Friend as he traverses the foothills of North Wales and descends into an abandoned Victorian mine at Cwmorthin to do a bit of light painting for his Slaughterhouse series:
"Although my mind kept wandering and playing tricks, it would always return to the absence of the men that used to work here. Their presence was palpable; this was their mine and I was trespassing. Each cathedral-sized cavern would have been leased and worked by one family. Grandfathers, fathers, sons, uncles, and nephews would have worked side-by-side, day in day out. These dark passages, steep crevasses, and sheer drops would have been their livelihood. This was their world. They would have spent the majority of their lives down here in the dark with nothing but a candle to illuminate the slate and their spirits."
John O’Donohue’s Ancient Celtic Wisdoms and Modern Longings: A Show of Remembrance
by Krista Tippett, host
"It’s strange to be here," John O’Donohue wrote, referring to life. "The mystery never leaves you." And creating this show has been a lovely, if strange and mysterious, experience.
O’Donohue was an Irish poet and philosopher beloved for his books, including Anam Ċara — Gaelic for “soul friend” — and for his insistence on beauty as a human calling and a defining aspect of God. I sat down with him in the fall of 2007 for a wide-ranging, two-hour conversation. Then just a few months later, before it could go to air, he died in his sleep, suddenly, at the age of 52. And so this hour of conversation (mp3, 51:00) has become a remembrance of him.
We’re putting his lovely, lively, exuberant voice out there in the world, as it touched so many the first time. And he would surely see this as a serendipitous continuation of his life’s work — of bringing ancient Celtic wisdom to modern confusions and longings.
We ended the show with his reading of “Beannacht,” a poem of blessing he wrote for his mother upon the death of his father. A number of listeners who read and loved John O’Donohue’s work have written to us as we began to post this and other poems he read to me during our interview:
And when your eyes
the gray window
and the ghost of loss
gets in to you,
may a flock of colors,
indigo, red, green
and azure blue
come to awaken in you
a meadow of delight.
And we’ve posted our research into the beautiful, essential music for this show — including the style of Gaelic singing called sean-nos and the helpful contributions of an Irish listener from Belfast.
"Music," John O’Donohue said to me, "is what language would love to be if it could."
John O’Donohue’s Landscape
One of the exciting aspects of my job as a producer is the opportunities our web site opens up for multimedia content. As soon as we started producing this week’s program, I wanted our audience to be able to see the Irish landscape John O’Donohue described in his conversation with Krista. I desperately wanted to see it. I’m of Irish ancestry (75%!, I’d proudly tell people on St. Patrick’s Day as a kid, dressed in my Kelly green shirt with a “Kiss me, I’m Irish” button), and someday I hope to make it to that emerald isle.
When I asked John O’Donohue’s business manager, Linda, if she had any photos of John in Ireland, she graciously offered to put out a request to friends and family. Within days I’d received over a dozen photos of both the Connemara region where John most recently lived, and some of Fanore, a town in County Clare where John attended elementary school, and where he is now buried. Will O’Leary, a veteran Washington Post staff photographer and close friend of John’s, shared some of his photos. His wife, NPR reporter Jacki Lyden, was also a close friend of John’s (she recently offered a remembrance of him on NPR’s All Things Considered). Another longtime friend and professional photographer, Nutan, shared photos he took of John in 2005.
In producing the audio slideshow, I was struck with how well the photos illustrated O’Donohue’s language in his poem “Beannacht” — a word I’ve heard translated as both “blessing” and “passage.” It’s about finding comfort in loss, and I consciously tried to match the photos to the poem’s tone, mood, and pace. I learned that John wrote this poem for his mother, Josie, at the time of his father’s death. According to Linda, his father “…was a farmer and a gifted builder of dry stone walls — a dying art still much revered — from whom, John’s brother Pat said at his funeral, John learned the art of fitting words delicately and fittingly together.”
Poems of a Late Wandering Irishman
Trent Gilliss, Online Editor
One thing we know about our fan base — they (you?) love words, especially poesy. The response to Tess Gallagher’s poem about her time with Thich Nhat Hanh made that clear.
So, in one of Krista’s limited face-to-face interviews (see Shiraz’s post about what a more typical interview looks like), she was regaled by the lilting tongue and picturesque poetry of the late Irish poet John O’Donohue in September. Mr. O’Donohue passed away earlier this year, but his verse lives on.
Colleen crafted a lovely audio slideshow (keep your eye out for her post) of O’Donohue’s recitation of “Beannacht” threaded with phototgraphs of scenic Celtic landscapes taken by several of his dear friends. And, since many of O’Donohue’s recitations won’t make it into the final, produced program, I wanted to offer them up here for download — or, if you prefer a more expedient and organized approach, through our podcast.
All of them are mp3s you can download. Just right-click your mouse and select save as:
A Blessing for a Friend on the Arrival of Illness
A Blessing for One Who Holds Power
For the Pilgrim a Kiss: The Caha River
For the Pilgrim a Kiss: Between Things
For the Pilgrim a Kiss: Body Language
Since You Came
And, my apologies for all the parenthetical comments. Yowza!