Seeing this photo of an elephant family on Smithsonian magazine’s Tumblr reminds me of an observation by the acoustic biologist Katy Payne, who spent most of her years researching elephants in the Dzanga clearing:
"Families in elephants are females related to one another, sometime three, even more, generations who live together and take care of each other’s young — a very tight, very integrated community. The males are considered to be outside the families, even though they are of course progenitors, but they live a very different kind of social life that involves competition between themselves. Most of the calls we found — although there were some calls associated with aggression, some calls associated with moving from one place to the next, very many of them were calls between calves and their mothers or their aunts or their cousins."
Korli Swart (Los Angeles, CA); Addo, South Africa
The Vulnerability of Listening
by Trent Gilliss, senior editor
"Listening entails vulnerability. Listening requires a willingness, even a longing, to understand another."
A few weeks ago, our very own Krista Tippett stopped by the offices of Huffington Post in New York City to tape this short feature. The result: "Two Minutes of Wisdom with Krista Tippett."
Repossessing Virtue: Chery Cutler on the Art and Practice of Improvisation
» download (mp3, 16:11)
Nancy Rosenbaum, Associate Producer
I love to dance. After spending my work week plugged into screens, headphones, and all things Microsoft Outlook, I seek spirit and solace in movement. Most Saturdays you’ll find me sweating it out at an African dance class in downtown Minneapolis.
In April I traveled to the Pacific Northwest to participate in a weekend-long improvisational dance workshop on Vashon Island, near Seattle. To call it a dance workshop is actually something of a misnomer. I and my fellow improvisers weren’t there to perfect our dance technique. Our charge was to learn to listen without fear — or put differently, to practice the art of “creative listening” which is to pay attention to whatever is happening in the present moment of an unscripted dance. I think that Jon Kabat-Zinn would give it a thumb’s up.
I was so jazzed by the experience of the workshop that a few days after I got back I decided to interview one of the facilitators, dance veteran Chery Cutler. In a book she co-authored, Creative Listening: Overcoming Fear in Life & Work, Chery describes creative listening as “learning to quiet fear and listen three-dimensionally — to one’s own inner voice, to others, and to the environment…”
Slight in stature but super-sized in spirit, Chery is now retired from Wesleyan University where she founded the dance department and worked as a professor for over three decades. She recently told me that past SOF guest Majora Carter took her class back in the day.
So much of what Chery says about improvisation and creative listening echoes the conversations we’ve been having as part of our Repossessing Virtue project. She calls this moment of economic collapse “an extremely exciting time” that has the potential to unleash creativity if we can just stop, listen, and resist the urge to willfully dance to the beat of our pesky fear-driven agendas.
We recently wrapped production on Living Differently, Beyond Economic Crisis — the latest installment in our Repossessing Virtue series. This program features the reflections of eight SOF listeners and scores of others online. Soon we’ll be posting more audio interviews to fatten the growing RV archive. I think this conversation with Chery makes for a nice addition to this growing chorus of voices. Let me know what you think.
[I’ve included a picture of my fellow creative listening improvisers here. As the lone Minnesota representative, I’m the only one wearing a coat — not quite fully trusting that it’s safe to venture outside without a down-filled garment. Chery is the one crouched in front, smiling broadly and wearing a black hoodie.]