At this moment in my household, there are two things that are being played and replayed by my immediate family: on the television, the movie Pitch Perfect, and in the car, Lorde’s catchy hit song ”Royals.”
Enter Florida State University’s AcaBelles to beautifully merge these two spheres. The video is nearing five million views on YouTube now and is worth posting, if only to hear an flesh-and-bone a cappella group rival those Barden Bellas. It’s a gorgeous rendition that just might compel you to loop a few times this morning — and in the process smile, groove, and contemplate the message of the song.
~Trent Gilliss, head of content
Evolutionary biologists believe that human lighting preferences are the result of our trichromatic vision—rare in nonprimates—which makes us particularly suited to daylight and the perception of primary colors. There’s an anthropological component as well: For 400,000 years, humankind has been banishing darkness with fire. And Edison’s bulb is, at its core, a burning filament that casts the glow of a flame. Abandoning incandescent bulbs means abandoning fire as our primary light source for the first time in human history.
These lines from Dan Koeppel’s article in Wired magazine, "The Future of Light Is the LED," nails it. His explanation captures people’s — frankly, my — aversion to the horrible, cold light of compact fluorescent bulbs and the ritual cringe many of us experience each morning when our colleagues turn on the overhead tubes of life-sucking energy hovering above our cubevilles with a perky, “Let’s get some light in here!”
Photo by Daniel Parks/Flickr (CC BY 2.0).
~Trent Gilliss, senior editor
Yes, I Was Lost…
Krista Tippett, host
I discovered Lost just a few seasons ago and immersed myself via Netflix with the zeal of a convert. Trent has been asking me to blog about Sunday’s finale, but honestly I’m stumped — still trying to wrap my mind around what it means. For now I am happy to pass on this from Diane Winston, one of my favorite observers of how we are telling the story of our time on television.
She called her blog on the finale "The Day After" and it starts like this:
"Last night’s Lost finale may have done more for mainstreaming religion than Mitch Albom’s bestsellers. All around the Internet—from forums and blogs to MSM sites and academic journals—musings on faith, redemption and the power of love are suddenly de rigueur. Here’s one good wrap-up of first-wave critiques, but also check out Brent Plate’s excellent overview for Religion Dispatches. Plate revels in Lost's religious mash-ups and pop-culture mixings because the show's ultimate meaning is key: 'Whether Locke or Shephard or Austen are saviors or demons does not matter. The hero is the community, the living together.'”
"Ethelbert is Coming" — Naming Ourselves
by Colleen Scheck, senior producer
African-American descendants of slaves ponder it, as do descendants of immigrants that arrived at Ellis Island. Expecting parents deliberate it, as does a bride going from maiden to married (or vice versa). Artists muse it, as do people with political or religious intentions. “It” being the meaning of the personal name — or the process of giving, taking, or receiving a name that we experience in multiple ways as giving definition, and sometimes control, to our individual identity.
I’ve been thinking about this since hearing Krista and E. Ethelbert Miller talk about the significance of naming in this week’s show. I appreciated both the weight and the humor in Miller’s description of the experience of naming his children. In his first memoir, Fathering Words, he writes about his own name change:
"…I changed my name my sophomore year at Howard. I reinvented myself. Maybe everything I am writing now is a continuation of that 1969 decision, like the Brown, Supreme Court decision of 1954. I was Gene to my parents, especially my father. I enrolled in college as Eugene E Miller, but like the legal blow against segregation, I became more social and outgoing under the name E. Ethelbert Miller.
How did it happen? Was it as quick as my grandmother changing my father’s last name from Williams to Miller when they came to America? A new identity, an escape as good as anything Houdini could do. The magic was first discovered in the lounge of Drew Hall. A number of us were thinking about running for student government as a ticket. I was selected to run for freshman class treasurer. It was obvious that no one had checked my poor math grades from elementary to high school. A consecutive record of failures with numbers that established a Ripken-like streak. The person handling my campaign was a young coed from Chicago. She had a nice afro and shape, and she was funny and smart. We sat on the floor in the lounge trying to come up with slogans for posters and we couldn’t. She asked about my middle name. Ethelbert, I told her, and she laughed. She came up with this silly expression about ‘Ethelbert Is Coming’ and soon made posters with an airplane, which struck me as stupid, but what did I know about politics. Many students found the expression funny and voted for me and I won.
So I was Eugene Ethelbert Miller after a few weeks away from the Bronx. But folks would call me Eugene until I ran for sophomore class president and decided to cast myself as a new politician. I had resigned from being freshman class treasurer because I refused to spend money on a class party and folks wanted to party and so they did so without me. Just as Richard Nixon became the new Nixon to some, I changed my name to E. Ethelbert Miller…”
In his first memoir, Miller also peppers in writings from his sister, Marie. A nurse, she shares her candid assessment of his name change:
"I thought the entire name change thing was as crazy as getting an afro, or wearing African clothes, or going to Africa. E. Ethelbert Miller, please! What was he getting into down in Washington? All that black stuff was crazy. I saw it on television. It didn’t have anything to do with my life. When you’re thinking about working in a hospital, all you see is red, the color of blood. Folks don’t have no time for race relations when they are sick or dying; and why didn’t my brother take an African name if he wanted to be so black and different? He could have been Kwame, or one of those principles associated with that thing called Kwanzaa. You know, he could have called himself Umoja or something like that."
I made the traditional choice of taking my husband’s name when I got married, primarily for practical reasons, but also because my maiden name reflected a history of family adoption, so I felt no innate connection to it. It didn’t take long for me to get used to it; in fact, I think the process of changing my social security card took longer. With my son, we chose a name that was simple, sounded regal (to us), and was connected to family heritage. I hope Owen will embrace it, though I’ll be prepared for the reality that he may amend it.
I wonder: What stories, choices, meanings are behind your names? In what ways and in what places do you find yourself pondering the meaning of your name and how it defines you?