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On Being with Krista Tippett is a public radio project delving into the human side of news stories + issues. Curated + edited by senior editor Trent Gilliss.

We publish guest contributions. We edit long; we scrapbook. We do big ideas + deep meaning. We answer questions.

We've even won a couple of Webbys + a Peabody Award.
Capturing a Conversation in an Image Trent Gilliss, Online Editor  One of the most time-consuming and rewarding parts of my job is sifting through hundreds, if not thousands, of images — usually photographs — for use on the Web site and in the e-mail newsletter for each week’s show. I attempt to bring another layer of meaning and understanding to the broadcast/podcast, and, when I’m on my game, a moment of transcendent elegance and beauty.  Much like the music chosen in our program, each image to me is a unique content element with its own story, even if it’s not clearly defined. One photo may just catch the eye enough for you to read on; another may make you crinkle your nose a bit and wonder why did they choose that one.  I relish ambiguity and subtlety. I prefer photographs that cause the viewer to ask more questions than offer answers. I prefer to honor the viewers intellect and curiosity rather than simply report the story. For SOF, I prefer human images to inanimate objects.  For this week’s program "Inside Mormon Faith" I struggled to create a group of images to choose from. Of course, there were loads of photographs of LDS temples from all points on the globe — some absolutely haunting and dramatic:  (photo: Russell Mondy)  And some ethereal and expressive (taken with a toy camera):  (photo: William “formica”/Flickr)  When I was looking for more human, pedestrian moments, I saw photos by a reporter from the Sunday Times of London (don’t you just adore the guy covering his face) of Mitt campaigning :  (photo: Tony Allen-Mills)  Oh, yes, a rock band pretending to be Mormons:  (photo: BLKHRTMDR/Flickr)  …and young men singing Christmas carols and speaking to non-Mormons:  (photo: Michael Ignatov)  (photo: Brian “hoveringdog”/Flickr)  But, in the end, the decision came down to two images, with this one losing out by a hair. What I appreciated about it was the repeating patterns of the brick, the interaction of LDS members in different ways in a very pedestrian manner — waiting at a bus stop.  (photo: Simon Knott)  I ended up going with the image leading this post because of one thing. The young man was looking into the camera without posing but was in the background surrounded by other passersby. It had a greater depth I couldn’t ignore.  What would you have gone with? Should I have been looking in different places?
Capturing a Conversation in an Image Trent Gilliss, Online Editor  One of the most time-consuming and rewarding parts of my job is sifting through hundreds, if not thousands, of images — usually photographs — for use on the Web site and in the e-mail newsletter for each week’s show. I attempt to bring another layer of meaning and understanding to the broadcast/podcast, and, when I’m on my game, a moment of transcendent elegance and beauty.  Much like the music chosen in our program, each image to me is a unique content element with its own story, even if it’s not clearly defined. One photo may just catch the eye enough for you to read on; another may make you crinkle your nose a bit and wonder why did they choose that one.  I relish ambiguity and subtlety. I prefer photographs that cause the viewer to ask more questions than offer answers. I prefer to honor the viewers intellect and curiosity rather than simply report the story. For SOF, I prefer human images to inanimate objects.  For this week’s program "Inside Mormon Faith" I struggled to create a group of images to choose from. Of course, there were loads of photographs of LDS temples from all points on the globe — some absolutely haunting and dramatic:  (photo: Russell Mondy)  And some ethereal and expressive (taken with a toy camera):  (photo: William “formica”/Flickr)  When I was looking for more human, pedestrian moments, I saw photos by a reporter from the Sunday Times of London (don’t you just adore the guy covering his face) of Mitt campaigning :  (photo: Tony Allen-Mills)  Oh, yes, a rock band pretending to be Mormons:  (photo: BLKHRTMDR/Flickr)  …and young men singing Christmas carols and speaking to non-Mormons:  (photo: Michael Ignatov)  (photo: Brian “hoveringdog”/Flickr)  But, in the end, the decision came down to two images, with this one losing out by a hair. What I appreciated about it was the repeating patterns of the brick, the interaction of LDS members in different ways in a very pedestrian manner — waiting at a bus stop.  (photo: Simon Knott)  I ended up going with the image leading this post because of one thing. The young man was looking into the camera without posing but was in the background surrounded by other passersby. It had a greater depth I couldn’t ignore.  What would you have gone with? Should I have been looking in different places?

Capturing a Conversation in an Image
Trent Gilliss, Online Editor

One of the most time-consuming and rewarding parts of my job is sifting through hundreds, if not thousands, of images — usually photographs — for use on the Web site and in the e-mail newsletter for each week’s show. I attempt to bring another layer of meaning and understanding to the broadcast/podcast, and, when I’m on my game, a moment of transcendent elegance and beauty.

Much like the music chosen in our program, each image to me is a unique content element with its own story, even if it’s not clearly defined. One photo may just catch the eye enough for you to read on; another may make you crinkle your nose a bit and wonder why did they choose that one.

I relish ambiguity and subtlety. I prefer photographs that cause the viewer to ask more questions than offer answers. I prefer to honor the viewers intellect and curiosity rather than simply report the story. For SOF, I prefer human images to inanimate objects.

For this week’s program "Inside Mormon Faith" I struggled to create a group of images to choose from. Of course, there were loads of photographs of LDS temples from all points on the globe — some absolutely haunting and dramatic:
(photo: Russell Mondy)

And some ethereal and expressive (taken with a toy camera):
(photo: William “formica”/Flickr)

When I was looking for more human, pedestrian moments, I saw photos by a reporter from the Sunday Times of London (don’t you just adore the guy covering his face) of Mitt campaigning :
(photo: Tony Allen-Mills)

Oh, yes, a rock band pretending to be Mormons:
(photo: BLKHRTMDR/Flickr)

…and young men singing Christmas carols and speaking to non-Mormons:

(photo: Michael Ignatov)


(photo: Brian “hoveringdog”/Flickr)

But, in the end, the decision came down to two images, with this one losing out by a hair. What I appreciated about it was the repeating patterns of the brick, the interaction of LDS members in different ways in a very pedestrian manner — waiting at a bus stop.
(photo: Simon Knott)

I ended up going with the image leading this post because of one thing. The young man was looking into the camera without posing but was in the background surrounded by other passersby. It had a greater depth I couldn’t ignore.

What would you have gone with? Should I have been looking in different places?

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SOF Playlist Track: Cepia, Hoarse
Mitch Hanley, Senior Producer

Some of the music choices for next week’s show on Mormonism represented, for me, another angle of consideration of this young religion. As I layered in the track above (“Hoarse”) from Cepia, an electronic group from Minneapolis, I considered the rather traditional school of thought that feels electronic, or “computer” music, to be anything but music.

If I had to guess as to why one might feel this way it is perhaps that the sounds in this genre are not generated in the same way as, for example, the “true” sounds of a violin, the rich, pure notes physically scraped off of metal strands which are held taut across a wooden frame, an age-old tradition dating back hundreds of years. Perhaps. However, what of the feelings that this music generates in someone — the joy, the ecstasy, the wonderment — that are a direct result of these sounds, these computer-generated sounds? Does the catalyst really matter, whether it be a 300-year-old violin, or a 2-month-old Mac, if the sounds move the spirit?

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