It’s been some time since I’ve posted a Tuesday evening melody to the On Being Tumblr, so I’ll break form and post this tingly song by The Civil Wars. “Barton Hollow,” live from the Austin City Limits Music Festival.
I’m a dead man walking here
But that’s the least of all my fears
Ooh, underneath the water
It’s not Alabama clay
That gives my trembling hands away
Please forgive me father
Ain’t going back to Barton Hollow
Devil gonna follow me e’er I go
Won’t do me no good washing in the river
Can’t no preacher man save my soul
Did that full moon force my hand?
Or that unmarked hundred grand?
Ooh, underneath the water
Please forgive me fatherMiles and miles in my bare feet
Still can’t lay me down to sleep
If I die before I wake
I know the Lord my soul won’t take
I’m a dead man walking
I’m a dead man walking
Keep walking and running and running for miles
Keep walking and running and running for miles
Keep walking and running and running for miles
Ain’t going back to Barton Hollow
Devil gonna follow me e’er I go
Won’t do me no good washing in the river
Can’t no preacher man save my soul
Rarely is there anything by or dedicated to composer Philip Glass that I can’t fall in love with. Beck’s 20-minute contribution, “NYC: 73-78,” on the soon-to-be-released Rework: Philip Glass Remixed (Oct 23) makes it all too easy to melt into my cubicle rolling chair.
Take a listen; you will not regret it.
(h/t Open Culture)
We’ve got to get Krista Tippett and Philip Glass in a room together soon!
While editing what feels like a multisensory experience for Hussein Rashid’s piece on our blog, “Qawwalis, Found Sounds, and Benghazi: Locating the Sacred in a New York Church,” our senior editor Trent Gilliss included this video of Korean-American experimental musician Bora Yoon. She creates soundscapes from found objects and digital devices, mixed with her voice:
“She has an ethereal voice that sounds like it would be at home in the Choir at the Church of the Ascension, which it is, or in the Elvish kingdoms of The Lord of the Rings.”
Riyaaz Qawwali performs one of the oldest qawwalis, ”Man Kunto Maula.” Attributed to being written by Khusro to praise Imam Ali, the song is considered a manqabat , which is loosely translated as “characteristics” from the Arabic.
While editing a post on Rosh Hashanah, women, and sealed spaces for On Being, I found myself enchanted by this choreography set to Ani DiFranco’s “Splinter.” Makes you feel good and peaceful, doesn’t it?
Such a pretty tune on this Monday morning. Thanks to bitzlbitzlr:
Colossal Gospel - ‘Bloody Boat’
A duo that manage to sound like an entire chorus choir, Colossal Gospel are Stephen Weibelt and Chris Johnson, just a couple of southern folkies - Leeds, Alabama to be exact.
As they harmonise on ‘Bloody Boat’, their chorals rattle and echo against a roll of steely guitar, swelling with reverberation. “Though you do not speak, I know you are with me”, they quiver on the chilling bonfire song - a real raw, Gothic Americana tune.
The track is off their debut album called Circles - out now on Autumn Tone.
[autumntone.com/circles][facebook/ColossalGospel]
~Trent Gilliss, senior editor
(via mhisadj)
The Russian punk band Pussy Riot have been found guilty of religious hatred for their protest inside the Cathedral of Christ the Savior today. The Interfax news agency translates the Khamovnichesky Court verdict as such:
“The Pussy Riot singers colluded under unestablished circumstances, for the purpose of offensively violating public peace in a sign of flagrant disrespect for citizens.,” the court said in a verdict being pronounced on Friday.
The women were motivated by religious enmity and hatred, and acted provocatively and in an insulting manner inside a religious building in the presence of a large number of believers,” the court said.
The court also has found that the Pussy Riot activists realized that their actions during the “punk prayer” in the Cathedral of Christ the Savior were insulting and intended to communicate information on the stunt to a broad range of believers.
“Intending to make the planned actions public and ensure that they drew public response, to draw the attention of the public to their illegal actions, and to communicate the expressed disrespect not only to the clergy and people in the church, but also to other citizens who were not present in the church at the time [of the punk prayer], but shared Orthodox traditions, Samutsevich, Tolokonnikova, Alyokhina, and their unidentified accomplice informed various media assistants and active bloggers on their action,” the sentence read in the Khamovnichesky Court on Friday says.
Up top is the video of the Pussy Riot “protest-as-prayer” performance for which three members of the band have found guilty.
~Trent Gilliss, senior editor
Knitting. Fractals. Twitter. If you haven’t listened to this interview with Rosanne Cash, you should. She’s absolutely delightful. You’ll learn something.
~Trent Gilliss, senior editor
“You have to show the Muse you’re serious.”
~Rosanne Cash, quoting Steven Pressfield’s The War of Art in her interview with Krista Tippett
Photo of Gabriel Royal playing cello in the New York subway by Dan Nguyen. (distributed with Instagram)




