Honoring His Father and Faith: A Mennonite Tests His Peace Stance
by Bruce Stambaugh, guest contributor
Forty years ago, the very first sermon I heard preached in a Mennonite church was on non-resistance. It was exactly what I was looking for spiritually, and I embraced it. My father, a World War II veteran, was skeptical, but eventually accepted my decision.
Four decades later, I accompanied my 89-year-old father on a special excursion called Honor Flight for World War II vets. Dad was dying of cancer, and he had long wanted to make this trip to Washington, D.C. Regardless of their physical condition, each of the 117 vets on the plane was required to have a guardian for the all-day roundtrip. In his situation, Dad needed extra care.
Given my non-resistance stance on war, I was reluctant to go. I likely would be the only conscientious objector on the packed plane. But this trip wasn’t about me. It was about my father fulfilling one of his dreams. I needed to go with him, regardless of my personal convictions.
As anticipated, the vets received their patriotic just due. Upon landing at Reagan National Airport, fire trucks sprayed arches of water across our arriving jetliner — a ritual usually reserved for dignitaries. As we exited the plane and entered the terminal, a concert band played the patriotic music of the "Battle Hymn of the Republic" and “God Bless America.” Dozens of bouquets of red, white, and blue balloons tied to posts and chairs bobbed in the air. Hundreds of volunteers young and old vigorously greeted us.
The entourage visited several war monuments in the U.S. capital that day. At the circular, granite National World War II Memorial, strangers approached the vets with reverence and emotionally shared their gratefulness. They shook the vets’ hands and thanked them for their service. I quietly took it all in, tears streaming, emotions and thoughts mentally whirling. Still, I tried to focus my attention on caring for my elderly father.
Returning to the airport later that same day, the vets received a similar patriotic welcome home. Dad said his experience ranked right behind his marriage of 67 years. With that comment, I was glad that I had the chance to experience that day with my father. I felt honored and glad he was able to go. Dad died three months later.
Despite all the hoopla of the day — or perhaps because of it — the futility of war became all the more obvious to me. The events reinforced my non-resistance stance. In listening to the vets on the plane and buses that transported us throughout the day, I heard them all say that they hated what they had to do. I also remembered the words of Jesus, who said to turn the other cheek and go the second mile and beyond for your enemy.
For a day, I had one foot on the foundation of God and country and the other on the teachings of Jesus. The trip with my father was an inspirational reminder of the commitment I made as a young man to a different way of making peace in a hostile world. Because of this experience, I bonded with my father in his time of need, and I greatly respected what my father and the other veterans on the flight had done. Yet, I knew I could not have done what they had — not because of cowardice, but out of conviction.
I had participated in the Honor Flight out of love and respect for my earthly father. I had held fast to my peace convictions out of love and devotion to my Father in heaven. In that paradox, I found no conflict whatsoever.
Bruce Stambaugh is a retired educator and a freelance writer living in Millersburg, Ohio. You can read more of his writing on his blog at Roadkill Crossing, and Other Tales from Amish Country.
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Johnny Cash and Shel Silverstein Sing Together in 1970 (video)
by Trent Gilliss, senior editor
It was inevitable that the “man in black” would come up during our interview with Rosanne Cash the week before Thanksgiving. What didn’t come up in the conversation was talk about Johnny Cash’s many friendships and endeavors, including hosting his own variety show on television from 1969 to 1971.
This delightful duet of “Boy Named Sue” with Shel Silverstein, a prolific songwriter and the man who wrote the song, showcases one of those friendships. The poet and children’s book author (yes, I still get choked up when reading The Giving Tree to my boys) then performs “Daddy, What If,” introducing the children’s song with a touching comment about his relationship with his father. That fondness for his own father was mirrored in the way Rosanne Cash spoke about her daddy too.
Into the Wilderness: Parenting a Terminally Ill Child
by Emily Rapp, guest contributor
"You feel your obligation to a child when you have seen it and held it. Any human face is a claim on you, because you can’t help but understand the singularity of it, the courage and loneliness of it. But this is truest of the face of an infant. I consider that to be one kind of vision, as mystical as any." ~from Gilead by Marilynne Robinson
I woke up and held my son for a long, long time. I’d been gone for three days at the National Tay-Sachs and Allied Disorders Family Conference and had missed him terribly. Driving through Boston on the way to the airport, I told my friend Kate that it was so difficult, so impossible even, so disastrous to imagine feeling that way forever. The missing, the ache.
We agreed that, say what you will about heaven or where we go or visions of the afterlife, the truth about someone being dead is that they’re gone from this life, right now, here on earth, with you. That particular person has been removed from your particular life. That’s the gut punch and there is no balm for that, no platitude, no prayer, and, I would argue, no belief even that will fix it. My son will be dead within three years and there’s nothing I can do about it.
Deb Roy’s TED Talk: The Blossoming of a Speech Form
by Trent Gilliss, senior editor
If you heard our show this week with psycholinguist Jean Berko Gleason, you heard a few excerpts from Deb Roy’s speech at TED about “the birth of a word.” The MIT researcher wired all of the rooms of his house with video cameras and microphones so that he could better understand how his son learned language. During three years, he captured 90,000 hours of video, 140,000 hours of audio totaling about 200 terabytes of data.
The social ramifications of this are incredible to think about, and the landscape of where we learn language and the events that create conversation that surfaces in our culture are equally mind-blowing. His research might inform not only how we learn but the values and influence of pivotal players in the development of our local and national conversations.
Here’s the transcript to accompany Deb Roy’s twenty-minute presentation:
In spite of everything that’s gone before, the last 12 months have been the happiest and most special of my life. To become a parent is a blessing I never imagined might be bestowed upon me until recently. It’s an awe-inspiring responsibility and both David and I are determined to fulfil that responsibility — not just to our son but to his generation. We want him to grow up in a Britain where every young person is not just loved as much as we love him, but is afforded fair treatment and respect. However, as we start thinking about Zachary’s future education, it’s clear that this Britain doesn’t exist yet.
—Elton John on Comment is Free, "I want Zachary to grow up in a world without homophobia"
~reblogged by Trent Gilliss, senior editor
Facing Our Darkness on Halloween Night
by Caroline Oakes, guest contributor
Photo by Susy Morris/Flickr, CC BY-NC 2.0
Like most people, since I was a child, Halloween brings a heady rush of excitement that definitely goes beyond costumes, jack-o-lanterns, and even trick-or-treating for good chocolate.
Year after year, exhilaration sets in as children and parents begin their animated zig-zagging through neighborhoods in the deep dark of night, dressed as something or someone they aren’t really, knocking on the doors of perfect strangers, coming face-to-face with the unknown and unseen.
Now, I am aware that some parents and a number of churches are less than enthusiastic about the traditions of this liminal night, and are going so far as to pull their children out of Halloween activities entirely, or are offering “Godly” alternatives. (Heard yet about “Jesus Ween”?)
While some people’s claims that Halloween should be assailed as inherently “evil” or “of the devil” and not consistent with Christian values are questionable — both theologically and historically — the real regret here is the opportunity that is lost by missing the point of Halloween.
In pre-Christian, Christian, and now post-Christian times, October 31st has traditionally been a night to name and face our fears, a time to face “the dark” — the dark outside of us, and the dark inside of us.
When we give our children the freedom to take those first steps out into the dark of Halloween night, we are allowing them to learn, first-hand, that the foreboding darkness that will envelop them will not, in fact, consume them.
They learn on their own that, even if they wear a mask of something they think is really scary, they don’t actually become that scary thing. In the act of putting on the mask, the scary thing loses much of its power, and the child’s own sense of inner power, inner light, and identity is affirmed.
As Halloween comes and goes each year, children slowly and safely wander farther from home, becoming more secure in their growing knowledge that what looks (at first) like something deep, dark, and foreboding can also be full of surprise, delight, and even joy.
The subliminal messages here are positive and healthy ones for our children and for our planet. The world around us, even the world inside each one of us, is neither all evil nor all good, neither all light nor all dark. There is always more than meets the eye.
So, parents banning Halloween night? There is real irony here. Parents forbidding their children (and themselves) this chance to face their fears, telling them instead that they cannot dress up, they cannot go outside in the dark, they cannot trick-or-treat, may actually be promoting fearful messages — that the world is a terrifying place, no one is safe, and we have no power over the inner and outer demons of our lives.
These are messages that perpetuate the dangerously dualistic, black and white, uncompromising way of seeing the world that is polarizing our society today.
But when we shed some light on the dark complexities of Halloween night, even the simple exchange of trick-or-treating can carry an important subtext: at every open door on Halloween night, children and their parents are enacting the universal (and spiritual) principle of giving — namely, that it is good (indeed it is a sign of our inner humanity) that we can willingly open our doors and give generously to complete strangers, even to those who wear masks, making them unrecognizable and frightening to us. There is always more than meets the eye.
Halloween can be as grace-filled as it is black-dark, a night to discover, year after year, that when we venture out into the darkness of the unknown, the night can be beautiful. Others are kind. Evil is actually a lot like a monster mask, and after an exhilarating few hours of exploring the dark, we can always return to the light of home, safe and sound.
And sometimes with a boatload of pretty darn good chocolate.
Caroline Oakes is a writer with a degree in ascetical theology from The General Theological Seminary. You can read her “Mind and Spirit” column in The Bucks County Herald. She lives in in New Hope, Pennsylvania.
We welcome your reflections, essays, videos, or news items for possible publication on the Being Blog. Submit your entry and contribute a deeper understanding of the world around us.
During the past few decades, marriage has become more associated with socioeconomic status than perhaps at any other time in American history. Marriage has declined substantially among poor people of all races, who are both less likely to marry and more likely to divorce than their counterparts from earlier eras. Meanwhile, the affluent and highly educated are more likely to marry (even if a bit later in life than in earlier eras) and less likely to divorce than their less advantaged counterparts. While college-educated parents tend to delay childbearing until after marriage, less educated women often have children without the benefit of marriage.
I Am from… Fire
by Angela Blake, guest contributor
Photo by Alicia Reiner/Flickr, CC BY-NC-ND 2.0
I am from fire.
I’m from the fire my father had for life and the fire my mother had for living. His was fueled by parties, drugs, wit, and self-involvement, hers by longing, anger, spite, and sweat. He was vivid; he hit her skin like sunshine and she finally felt warmth from an external source. She smoldered. He was curious to know how her sweat turned to the steam that hovered over her skin. What was her heat source? How could someone burn so hot without catching fire?
In the end, he combusted, was consumed by his own fire. In his 30’s, he was raging out of control, in his 40’s he was a smoking pile of embers. Today, he’s ash. He is gray and the heft of him scatters with the slightest breeze. Even his wit burned away. His heat from the outside stoked her burning on the inside and she nearly exploded. She had to protect herself or be destroyed.
She put down her longing, anger, and spite and put in more sweat. She worked and struggled and toiled and fought — she sweat, sweat, sweat, sweat — until the steam rose and condensed and rose and condensed, protecting her from the fire that was him and keeping the burn inside of her. It was a kiln, churning and working — always working — to produce something better, something that wasn’t just burning away life, but something that was living. She wanted to go on living, she needed to keep on living. She couldn’t let him take her, too. She couldn’t be burned away too. She had to work, work, sweat, sweat, burn, burn!
And I was born. I was ignited and her steamy sweat cooled me so I wouldn’t burn away. His flames, her burning, my birth.
I am living with a pocket full of ashes and a stomach full of embers. I am from fire.
Angela Blake lives in South Bend, Indiana and regularly rants, rambles, and reflects on life as a black chick in the Midwest at Afro(ec)centric.
Angela submitted this essay in response to our call-out for readers to fill in the blank, “I am from…” If you’d like to finish this phrase and share something about yourself, your heritage, your geography, your interior mind, your imaginings or vulnerabilities, read the simple guidelines and submit your work for consideration.
The Dismantling of Lives: Coming Through for Someone Else
by Trent Gilliss, senior editor
"It’s a prime time of my life, and I basically gave it away."
Julie Winokur uprooted her husband Ed Kashi and two children from San Francisco, California to New Jersey to take care of Herbie, her 83-year-old father with dementia. This film is an intimate portrait of a family who is “doing the right thing” but are struggling with the demands of caregiving and managing daily lives of work and school.
You witness the love and the anguish of a multi-generational household making things work; it seems like the mental health of all, especially Julie, are in peril. The stakes are high, but so are the consequences if they chose a different course.
Although “The Sandwich Generation” primarily focuses on the voices of the caregivers, the most agonizing and heartbreaking part of the film comes at about the seven-minute mark. In this scene, a deconstruction crew is cleaning out Herbie’s home that he’s lived in for more than 40 years. Glass is crashing, boxes of his personal items are being heaved into a dumpster, and he’s left standing in his garage holding an old set of golf clubs he doesn’t want to let go. We never really get to know the man at the core of this picture. He’s discussed, he’s photographed, he’s cared for, he even sings a little at the end, but he remains on the periphery in a sense. And this scene grabs the onlooker and shakes us.
Looking for an image that could capture the depth of this week’s show on the "far shore of aging" resulted in this complicated portrait on the spectrum of caregiving from MediaStorm. But it also introduced me to an incredible series of photographs by Ed Kashi titled "Aging in America." Eight years later, it’s more important now than ever.
Music has always been incredibly cathartic for me, whether it’s writing my own stuff or singing other people’s music; it’s very freeing. But it did take me a long while to be able to write again because I was just too far down a deep dark hole to do anything. I had to crawl back up, get some light in and have some objectivity before I could start writing again.
The Canadian singer talks parenting, divorce, depression, and songwriting in her interview with Spinner.
—Trent Gilliss, senior editor