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On Being with Krista Tippett is a public radio project delving into the human side of news stories + issues. Curated + edited by senior editor Trent Gilliss.

We publish guest contributions. We edit long; we scrapbook. We do big ideas + deep meaning. We answer questions.

We've even won a couple of Webbys + a Peabody Award.

Animated Shorts on the Lessons of Forgiveness and Repentance for the High Holy Days

by Susan Leem, associate producer + Trent Gilliss, senior editor

The son of an Israeli nuclear physicist, the artist Hanan Harchol moved to the United States with his family when he was two years old. And it’s his father’s accent that Harchol impersonates and argues with in these two humorous and enlightening animated shorts for the High Holy Days. 

But, these illustrated videos mining a deeper understanding of the Jewish concepts of teshuva (repentance) and slicha (forgiveness), Harchol says, weren’t inspired by a personal sense of devotion or religiosity. Just the opposite, in fact. The requirements of the project stipulated that he immerse himself in the texts, and through studying them he reevaluated the essence and spirit of Jewish teachings he had ignored or rejected for many years:

"I spent my life gravitating towards, and making, narrative art that explores the human condition from a psychological, philosophical, and existential perspective. While Judaism offers thousands of years of wisdom on the human condition, I avoided it as a source because of what I perceived to be its preachy, judgmental, and shaming tone.

Then, in 2009, I was commissioned to create a short artistic animation that interpreted the eating of bitter herbs during Passover. As part of the project, I was mandated to participate in a monthly Jewish study group under the leadership of a dynamic and brilliant rabbi named Leon Morris. To my surprise, I discovered that the human themes we were discussing and wrestling with in the study group were precisely the kind I had always been exploring in my personal artmaking. Even the process itself of sitting around a table, debating and wrestling with these human concepts (a process I did regularly with my friends and in my artmaking) proved to be a fundamental part of the Jewish study and learning process.

I became filled with questions about how much my Jewish heritage had influenced how I was raised, how I behaved, how I thought, and even who I was as a person and an artist. What I discovered was a wealth of wisdom. Within the Jewish texts were crucial teachings and lessons that applied as much to our contemporary lives as they did when they were written. By avoiding the Jewish writings because of their religious nature and tone, I was missing out on thousands of years of deep thought and study on the human condition itself. I had thrown the baby out with the bath water.”

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T’shuva: Recognizing Holiness

by Laura Hegfield, guest contributor

Found Heart-White Mts, NH, USA

I was watching the gathering clouds and their shifting shadows on those familiar mountains for quite a while. I saw you, but it wasn’t until I turned and took a step that I could truly see you.

With an intake of breath, my heart expanded in awe, recognizing yours, so perfectly formed.

How many others had passed by without noticing? What if I had not turned that afternoon, had not taken a step?

Gratitude awakened, witnessing this mirrored image of sacredness balanced on the mountainside.

                                                  You.   Me.   God.

Standing as One in this single moment of grace.

I love this tree. I love remembering the feeling of awe that filled me when I looked through the viewfinder of my camera and realized that the branches and leaves grew into a perfect heart shape. But I didn’t see it right away; it took a while until I was standing in just the right position to be aware of what was in front of me the whole time.

The form was there, the core essence of holiness was present all along, but I had to orient myself properly in order to recognize it. I think the same can be said for the holy essence that resides within each of us.

During the month of Elul, leading up to the Yomim Noraim, the Jewish High Holy Days of Rosh Hashanah and Yom Kippur, it is a Jewish spiritual practice to make t’shuva — to turn, return to our goodness, our godliness, to God.

We turn inward. We look in our hearts and examine closely the mountains of mistakes we have made. We turn towards those we have hurt and ask for forgiveness. We promise to do better — at the very least to try to be kinder and more thoughtful in the year to come. We do what we can to repair what we have broken. We make a conscious shift from where our hearts were positioned when we were intentionally hurtful or simply not paying attention to our words and actions. We return to God awareness, remembering that it is when we forget our own divinity and that of others that we inflict harm.

We choose to change, to grow. Like the micro-movements of alignment a yogini must make to settle into vrkasana (tree pose) with strength, firmly rooted, balanced, open, present, we readjust our inner stance until we can see beyond the misdeeds, harsh words, insincerity, apathy, judgment and wounds to discover our own holy hearts, beautifully formed, strong, rooted, balanced, open and fully present; silhouetted before the jagged background of those mountains. The dark clouds move aside, our holiness shines brilliantly. It was always there. Here. We forgive ourselves; perhaps the hardest step of all. We have returned.


Laura HegfieldLaura Hegfield is a daughter, sister, wife, mother and lover of life with an artist’s soul. Diagnosed with Multiple Sclerosis three years ago, she is no longer able to work outside her home. She stays engaged with the world through photography and shares her journey on her blog.

We welcome your reflections, essays, videos, or news items for possible publication on the Being Blog. Submit your entry through our First Person Outreach page.

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