The Celebration of Ohigan During Japan’s Time of Disaster
by Susan Leem, associate producer
Katsuo Fujihara, 73, prays at the tomb of a dead family member at a cemetery in Kamaishi in Iwate prefecture. Still reeling 10 days after Japan’s deadliest natural disaster since 1923, the Japanese people marked shunbun no hi (vernal equinox day) on Sunday by visiting the tombs of their ancestors, cleaning them, and offering prayers and ohagi, sweet rice balls covered with red bean paste. (photo: Roslan Rahman/AFP/Getty Images)
Shinto, Buddhism, and even a combination of both are taking on new importance in mostly secular Japan amidst the ongoing tragedy. Unlike in the West, most Japanese don’t observe an exclusive division between two religions, writes John Nelson, chair of Theology and Religious Studies at the University of San Francisco:
“They’ll move back and forth between two or more religious traditions, seeing them as tools that are appropriate for certain situations. For things connected to life-affirming events, they’ll turn to Shinto-style rituals or understandings. But in connection to tragedy or suffering, it’s Buddhism.”
Yesterday marked the beginning of a special period in Buddhism called Ohigan where Japanese visit the graves of their families and pray to their ancestor spirits for help. The Japanese translation of Ohigan means “the other shore,” to distinguish the suffering felt in this world from the possibility of enlightenment.
Shinto sacred flame. (photo: Timothy Takemoto/Flickr)
During Ohigan in March 2005, Ryuei Michael McCormick describes the celebration in seasonal terms of transcendence. From his dharma talk at the San Jose Nichiren Buddhist Temple in March 2005:
“Ohigan is celebrated twice a year during the spring and autumn equinox, the time of year when the day and night are of equal length. The Ohigan is also a time of transition, from the short days of winter to the long days of summer and back again.
As a time of seasonal transition, it also represents the transitions of human life, from the sunny summer of life to dark winter of death. This is why the Ohigan is a time to remember those who have passed on, particularly our ancestors and loved ones. It is also a time to give thought to another kind of transition, from this shore of birth and death to the other shore of enlightenment, wherein birth and death is transcended. In fact, we recite the Odaimoku and the Lotus Sutra for the purpose of enabling those of us still living and those who are deceased for whom we dedicate merit to both arrive at the other shore of awakening.
For any kind of journey one needs to pack, or make provisions. Even an overnight trip requires that we bring a change of clothes and toiletries like shaving gear, deodorant, and so on. What kind of provisions, then, do we need to journey to the other shore of enlightenment? In this case, a spare towel or shaving kit will not suffice. We need something that is both less substantial and at the same time more real. According to Mahayana Buddhism, those of us who aspire to buddhahood will require what are called the six paramitas. Paramita is usually translated as “perfection” as in the “six perfections.” But it actually means “crossing over.” So these are the six characteristics of those who are able to cross over from this shore of suffering to the other shore of enlightenment, and who, furthermore, are able to help others to make that transition and cross as well.”
Painting Shinto Shrines with Light
Trent Gilliss, senior editor
Watching video like this is tantalizing, making me yearn for a high-dollar cable package in which I can become immersed in a scene. Visuals like this envelop you. Here, screen size and resolution really do matter. The pictures are more vibrant, richer in meaning. What Discovery HD Theater is producing for television looks incredible; I only wish I could see their new series Lightscapes this evening.
The first episode captures artist Akira Hasegawa digitally painting the Grand Ise Shrine, a 2000-year-old mystical Shinto site in Japan, and the Uji Bridge during Bunka no hi, Japan’s national holiday celebrating culture and the arts. Hasegawa bases his kaleidoscopic, abstract projections on “the Shinto principles of the connectedness of nature, the spiritual, the universe, and the ephemeral.” The images move slowly but are never static. The colors morph synchronously with a rhythmic beating that enchants and beguiles, calms and propels.
If you have a half hour tonight, check it out at 7:30 pm Eastern and let me know what you thought of this experiential television. And, if you’re left with only your broadband, check out these fantastic live video shots from Iceland. You won’t regret it!