I’m mesmerized by this robot that writes slow meandering poetry out of sand. Brings a whole new meaning to the impermanence of language and art.
Watching this and thinking of Sherry Turkle’s warning that adults are much more susceptible to technology’s lure than children today. It’s funny… because it’s true.
An enchanting hour of poetry drawing on the ways family and religion shape our lives. Marie Howe, poet laureate of New York State, works and plays with her Catholic upbringing, the universal drama of family, and the ordinary time that sustains us. The moral life, she says, is lived out in what we say as much as what we do — and so words have a power to save us.
The response to this week’s show with Seth Godin has been overwhelming. And, we’re finding that a lot of folks are listening to the unedited interview right after they finish listening to the produced podcast. So why wouldn’t I offer it up to our Tumblr friends to reblog/download/share!
~Trent Gilliss, senior editor
Our Latest Radio Show + Podcast: Opening to Our Lives: Jon Kabat-Zinn’s Science of Mindfulness (» download mp3)
"It doesn’t actually take any more time to say good-bye or hug you know, your children or whatever it is in the morning when you’re on your way to work. But the mind says, ‘I don’t have any time for this.’ But actually that’s all you have time for, is this because there’s nothing else than this…So when your four year-old can’t decide which dress she wants to wear, that’s not a problem for you, unless you make it a problem for you. That’s just the way four year-olds are. And the more we can sort of learn these lessons the more we will not be in some sense running towards our death, but in a sense opening to our lives."
Scientist and author Jon Kabat-Zinn has changed Western medicine through his work on meditation and stress. He’s clinically demonstrated the benefits of ancient traditions of mindfulness and meditation. And he’s adapted these for people who are healthy or living with chronic illness, for Olympic athletes and corporate cultures.
In this week’s On Being podcast, Jon Kabat-Zinn offers wise perspective on inhabiting the ordinary and extreme stresses of our lives. Technology may function 24/7, he points out, but our minds and bodies do not. He has practical and spiritual tools accessible to everyone — for slowing down time and “opening to our lives.”
And, for this week’s show, our host Krista Tippett recommends reading:
Coming to Our Senses: Healing Ourselves and the World Through Mindfulness
by Jon Kabat-Zinn
There are a couple of minutes in this podcast in which we hear Jon Kabat-Zinn conduct an introductory meditative experience for employees at Google. This spiritual technology is immediately effective and at the same time an engagement for a lifetime. It is about “coming to our senses” in the fullest sense of that phrase. This book explores these ways of living in more depth.
Internet Everywhere: The Future of History’s Most Disruptive Technology (live video)
by Trent Gilliss, senior editor
In "Alive Enough?," the director of the MIT Initiative on Technology and Self, Sherry Turkle, cautions that technology is not alienating in and of itself, but that we must mature as our ever-expanding relationship with technology grows. And, she says, we can and must lead examined lives with our digital objects — actively shaping technology to human purposes.
Well, at this year’s World Science Festival, some of the pioneers (including Vint Cerf) of these disruptive technologies examine “the Internet’s brief but explosive history and reveal nascent projects that will shortly reinvent how we interact with technology — and each other.” And they give us a view of what technologies and interactions are in our future.
The live webcast starts at 1pm Eastern. Our producer is there and will be live-tweeting this panel of dynamic thinkers from NYU’s Skirball Center. Watch the live video stream with us and let us know if there’s anybody you’d like us to interview for On Being.
Q:Recently there was news story about a new technique being used in photograpy; the new method allows a digital picture to be taken. Later it can be downloaded on the computer and focused on different points. The name of the process starts with the letter "N". Can you tell me the name of this new process?
Good morning, Anon—
Although this is definitely not our area of expertise (we do news through the lens of theology, human experience, and storytelling), I actually know what you’re asking about. The technology is called plenoptic, or light field, photography. Joshua Topolsky describes it this way in his review of the Lytro camera for The Washington Post:
"When normal cameras take a photo, they measure the color and light coming through the lens to produce an image. The Lytro camera not only sees color and light but can understand the direction the light moves in while snapping a photo.
Instead of simply grabbing one point of the light in a scene, Lytro analyzes all the points of light and then converts them to data. Once the image is stored, it can be processed and reprocessed after the photo is taken.
What does this mean, exactly?
Basically, it means that you’re able to take a photo and then refocus the subject in it after the fact. It means that if you take a picture of a friend in the foreground and there’s something exciting happening down the street, you can use Lytro’s custom software to refocus on the background, or almost anything else in the scene that you captured. It’s hard to explain, but it’s amazing.”
You can see how this works and play around with images on Lytro’s photo gallery. Check out these examples in which I changed the depth of field by first focusing on the near and then focusing on the distant end of the tree, with one click:
The resolution of the photos has a long way to go. It’s rather poor, but apparently there’s hope. Here’s Eric Cheng, the director of photography at Lytro, explaining the technology and the company’s new camera.
Hope this helps!
Trent Gilliss, senior editor
Why I Cried When Steve Jobs Died
by Jennifer Cobb, guest contributor
Image by Charis Tsevis/Flickr, CC BY-NC-ND 2.0
It took me by surprise that I cried when Steve Jobs died. I was surprised to feel so moved by the loss of someone who was essentially a modern industrialist. But of course, his acumen as a businessman was not what I was mourning. Jobs’ work has moved us in ways that the work of his contemporary Bill Gates never has. Gates’s influence on our culture has been just as powerful, but has not touched as profoundly. Why?
The vast digital domain that we think of when we imagine information technology is essentially non-physical in nature. It is, by definition, incorporeal. But like all incorporeal things – our thoughts, our dreams, our faith, our souls – it relies on bodies for manifestation in the physical world. The digital needs the analog to express itself.
And this is what Steve Jobs did better than anyone else. He built beautiful bodies for our digital dreams. He understood before we did that we craved elegant containers for our disembodied hearts and minds. Every device he ever created, from the Apple 1 to the iPhone, was an expression of his deep, aesthetic commitment. And here he stood on the shoulder of giants, from Aristotle and Aquinas up to modern information theorists who assert that the best code is the simplest and most beautiful. As Keats so famously wrote, “Beauty is truth, truth beauty — that is all ye know on earth, and all ye need to know.”
Job’s aesthetic began with the analog form of the device and then, quite naturally, extended into the digital function — the UI or user interface. The icons. The navigation. The information architecture at heart of the Apple OS. Analog and digital, form and function, hand in hand. Jobs was not just constructing bodies; he was giving them very particular and beautiful expressive capacities that are connected to something radically new in human experience; they plug us into a shared digital landscape filled with us and everything we bring to it.
Technology is our connective tissue. It joins us, hearts and minds. Jobs enabled this connection in a new way. He did not create the content that fills the devices he designed. He left it up to us to write songs, create art, make movies, write blog posts and emails and essays, send tweets and texts and build websites.
Jobs was a perfect reflection of our times. He made stuff that is so attractive, so enchanting, that he created a vast global desire for his products. His medium was technology and the context was capitalism. He made a lot of money for himself and for many other people. But by all accounts, the money wasn’t the point. The money was simply a validation of the fact that his vision was spreading throughout the world. And that vision was that the digital and the analog could be a thing of beauty when married with skill and vision.
The danger in the global mourning of his gifts is that we become so enchanted with the devices that we get lost in the interface and forget that the real point is what lies on the other side of the threshold. The devices are doorways into a larger, enchanted world of our shared creativity. They are not ends, they are beginnings.
Jennifer Cobb is a business consultant specializing in marketing and strategy for public and private sector organizations. She has a degree in ethics from Union Theological Seminary and is the author of Cybergrace: The Search for God in the Digital World. She lives in Berkeley, California and blogs regularly at The Spruce Blog.
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