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On Being with Krista Tippett is a public radio project delving into the human side of news stories + issues. Curated + edited by senior editor Trent Gilliss.

We publish guest contributions. We edit long; we scrapbook. We do big ideas + deep meaning. We answer questions.

We've even won a couple of Webbys + a Peabody Award.

Nine-year-old Quebec girl pulled from soccer tournament for wearing hijabA nine-year-old Gatineau, Que., girl who refused to remove her headscarf was forced to stand on the sidelines as her team played — and won — the final match of a soccer tournament.The order came just days after the International Football Association Board voted to lift its hijab ban based on the fact “there is no medical literature concerning injuries as a result of wearing a headscarf,” the organization stated on its website.Rayane Benatti was told to take off her headscarf for safety reasons, but she refused.“It made me feel very sad,” she said. “I love soccer.”
(Photo: Bruno Schlumberger/Ottawa Citizen)


Nine-year-old Quebec girl pulled from soccer tournament for wearing hijab
A nine-year-old Gatineau, Que., girl who refused to remove her headscarf was forced to stand on the sidelines as her team played — and won — the final match of a soccer tournament.

The order came just days after the International Football Association Board voted to lift its hijab ban based on the fact “there is no medical literature concerning injuries as a result of wearing a headscarf,” the organization stated on its website.

Rayane Benatti was told to take off her headscarf for safety reasons, but she refused.

“It made me feel very sad,” she said. “I love soccer.”

(Photo: Bruno Schlumberger/Ottawa Citizen)


The Photos Used in Foreign Policy’s ‘Sex Issue’ May Be a Test Case for Cultural Insensitivity

by Trent Gilliss, senior editor

Foreign Policy "Sex Issue" CoverThe "Sex Issue" recently published by Foreign Policy magazine has received a fair amount of publicity this past week. And, from the responses I’ve read, it’s Mona Eltahawy’s article "Why Do They Hate Us? The War on Women in the Middle East" that’s been greeted with fanfare by some Western media outlets, as in this response by Newsweek:

"Some powerful photo illustrations come with Foreign Policy’s stunning cover feature on the real war unfolding on women in the middle east, written by the awesome and oh-so-brave Egyptian revolutionary Mona Eltahawy. Read it.”

I’m unsure of why Newsweek refers to these images as “photo illustrations” but I think they miss out on the complexities of the issues at hand when they frame it in this way. To be sure, I can understand why many people like these photos. They are stunning images; the article’s title is gripping. But, most of us in the U.S. lack an understanding of the history and the cultural context of using such provocative imagery. For many Arab and Muslim women, these images are offensive. The pictures represent a problem that dates back centuries: the hypersexualization of the veil and the women who wear them. Perhaps we should tread more lightly upon this sensitive ground.

For Samia Errazzouki, these are images of “a nude woman covered in a black body-painted niqab.” In her Al-Monitor rebuttal, ”Dear Mona Eltahawy, You Do Not Represent Us,” she writes:

"All of the women close to me who wear the niqab do so for different reasons. One friend only wears the niqab when she attends protests because she feels comfortable in it. Another friend has chosen to wear the niqab, against the will of her family since she was 14. The representation of the niqab as splattered body paint on a naked woman degrades the decision of women who wear the niqab as a choice. …

Foreign Policy "Sex Issue" Photograph with Pull Quote

The monolithic representation of women in the region, illustrated by an over-sexualized image of splattered black paint over a nude body, however, does nothing to rectify the position of women in any society.”

Leila Ahmed, a revered and oft-cited scholar of women and gender issues in Islam and the Arab world, takes issue not so much with the choice of photos used but with Ms. Eltahawy’s “sweepingly dismissive views of prayer and religion” finding “almost every paragraph of Eltahawy’s essay similarly troubling as, again and again, broad brushstrokes and sweeping generalizations erased subtle nuances and garbled and swept aside important differences.”

If you’re interested in reading more responses, I recommend Muslimah Media Watch’s excellent survey of other female voices appearing in various posts and articles. The opinions vary widely. And, I’d definitely read their round-table discussion with five women who reflect on the larger issue at and and the Foreign Policy issue itself. You’ll gain a better sense of the range of opinions on the issue and the really smart women who wrestle with these issues every day.


Will Muslim Women Feel at Home in Their Home Country of France?

by Anna Mansson McGinty, special contributor

Muslim Women Stroll Down the Champs ElyseesMuslim men and women stroll down the Champs-Élysées in Paris. (photo: Archibald Ballantine/Flickr, cc by 2.0)

"Of course, I’m at home (laughter). Who else’s (country) am I in? I feel at home. I have my family here, we live, we eat, we cry, we laugh, we suffer, we don’t suffer. Some people are pleasant, some insult us. But truthfully, the day the law will be (implemented), I’ll no longer feel at home."
—Camile, Paris

Camile is one of the Muslim women interviewed in "Unveiling the Truth: Why 32 Muslim Women Wear the Full-face Veil in France," a report written as part of the “At Home in Europe Project” of the Open Society Foundations. The report was released in April, as the ban on the covering of the face, such as with the niqab or burqa, went into effect on April 11.

The law has been fiercely debated since the French National Assembly voted in favor of it (336-1) in July 2010, six years after the banning of conspicuous religious symbols in French public schools. The ban makes it illegal to wear any face covering in public spaces in France, and thus, from the perspectives of the opponents of the law, a religious act and symbol has been criminalized. France, with an estimated 6-7 million Muslims, is the first European country to make it illegal. Belgium and the Netherlands may soon follow suit.

The “burqa ban” and its current popularity in Europe raise several questions pertaining to religious expressions in public, freedom of expression, the future of Islam, and the growing Muslim population in Europe, but also, as the quote of Camile points to, national identity and citizenship. The ban rests on the salient notion of French secularism, laïcité, the separation of church and state and the division between private life and public sphere.

Laïcité requires that in order for the state to secure the equality of all citizens, these individuals have to present themselves as free from religion. Consequently, the notion of laïcité, together with a prevalent public discourse of Islam and Muslims as the ultimate “other” incompatible with “French values,” has made Muslims, who publicly display their religious affiliation, the target and object of scrutiny. In effect, a woman who does not abide by the law could be fined up to €150, and in some cases be required to take citizenship classes.

But why this urgent and intense focus on Muslim women’s garments? The relationship of the West to the veil and Islamic dress code is a complex political and social phenomenon, with a long history, suggesting several interrelated factors at play. Considering the very small number of women in France who wear the full-face veil (estimates range from 400-2000), one wonders if this is, as the proponents argue, an effective means to combat Islamic extremism and enhance integration. In which ways can policies prohibiting certain attire promote the preservation of “French culture” as well as the assimilation of Muslim immigrants into the French mainstream?

This kind of state regulation and control over certain gendered and religious (as well as political) bodies demonstrates the symbolic meaning and weight a national community can place on women’s dress and conduct in public, as women represent, in Cynthia Enloe’s words, “nationalist wombs;” they are not only bearers of the future generation, but also the ones transmitting the nation’s culture and values from one generation to the next.

Furthermore, it is hard not to make historical parallels to colonial times in places such as Egypt and Algeria where the “veil” and “the Muslim woman” became the battlefield between the anti-veil colonialists and the native, national liberation movement. Similar to the colonial politics of the veil and the discourse of “saving the Muslim woman” from her oppressive and traditional man and religion, French president Nicolas Sarkozy uses “feminist” rhetoric arguing for Muslim women’s dignity and equality in the French Republic. Interestingly, 10 of the 32 women interviewed in the report indicated that they had started to wear the niqab as a protest to the ban.

In response to the ban, the Parliamentary Assembly of the Council of Europe, which makes recommendations on human rights issues, passed a resolution that emphasizes “freedom of thought, conscience and religion while combating religious intolerance and discrimination,” urging EU countries to protect women’s “free choice to wear religious or special clothing.” While perhaps not representative, the many personal experiences and testimonies of Muslim women featured in the report “Unveiling the Truth” resonate with this declaration.

To the proponents of the ban, the face veil symbolizes the most extreme version of Islam and poses a threat to national culture and secularism, but the women who claim to have chosen to wear the face veil, speak of the niqab as part of a spiritual journey, as reflecting a deepened relationship with God and the desire to follow the actions of the prophet Mohammad’s wives for guidance. The question now is how and to what extent the ban is going to be implemented, the social and political implications of it, and whether some of these women, such as Camile, will ever feel at home in their own home country.

References in This Article

Anna Mansson McGintyAnna Mansson McGinty is Assistant Professor of Geography and Women’s Studies at University of Wisconsin-Milwaukee. She is the author of Becoming Muslim: Western Women’s Conversions to Islam.

This article is reprinted with permission of Sightings from the Martin Marty Center at the University of Chicago Divinity School.

I think it is a struggle for the Dutch soul. You could broaden that to say a struggle for the European soul. The economy aside, I think that’s the big question for Europe. To what extent, of course, do you keep the doors open, and of course people need that because the economy needs that, but who are you then?

—Russell Shorto, director of the John Adams Institute in Amsterdam

NPR’s Rob Gifford previews the elections for the Dutch parliament happening today. Though economic concerns seem to be over- shadowing immigration, he highlights how the leading candidates reflect current public opinions about Muslim immigration.

Colleen Scheck, senior producer


NPR Series on Muslim Women in Europe

Colleen Scheck, Producer

I enjoy the reporting of Sylvia Poggioli, NPR’s veteran European correspondent. She was formerly known in my household as “The Pope Reporter” because I often had the radio on when her stories on Pope John Paul II aired. (She was a guest on our program on the religious legacy of the late pontiff).

Muslim girls shop at Whitechapel Market in London.Last week NPR aired Poggioli’s six-part series exploring the evolving identities of Muslim women in Europe. Her stories focused on women in Germany, France, and Britain, the three European countries with the largest Muslim populations. I always like reading reporter notebooks - here’s an excerpt from her notebook for this series:

As I traveled through Europe this fall to report for this series, I remembered the words of filmmaker Yamina Benguigui, my first guide into the world of what she called “ghost women.” French-born to Algerian parents, she broke with her strict patriarchal family and married a non-Muslim Frenchman.

In her documentaries, Benguigui explored the phenomenon of some young French Muslim women who, in the early 1990s, had taken to wearing the headscarf even when their mothers did not. While many of these young women said the headscarf was a mark of their cultural identity in a society where they felt discriminated, Benguigui said it was also something else: a way of getting around the dilemma of living a double life in two different cultures. Instead of breaking with their families, “they decide to take the Koran as a weapon against their families, by submerging themselves completely in religion, brandishing the veil and the Koran, they become the leader in the family … (the Muslim girl) will not be forced to marry and she can come home when she wants. She can drive a car and she’s completely free,” Benguigui told me in 1995.

Twelve years later, I met many Muslim women who still have not found their places and are still torn by two cultures. But I also met many Muslim women who are asserting themselves much more forcefully — either in identifying with European secular culture and demanding the same rights as their Western sisters, or by appropriating Islam for themselves, through a new female perspective. Or in a combination of the two.

While there is no distinct Europe-wide pattern, in many places a quiet revolution among Muslim women is under way.

Next week we broadcast Krista’s conversation with Ed Husain, author of The Islamist: Why I Joined Radical Islam in Britain, What I Saw Inside, and Why I Left. Poggioli’s series is a good compliment to this show, and to the other programs we’ve done on Muslim women with Leila Ahmed and Ingrid Mattson, that help broaden my understanding of Islam worldwide.

(photo: [name removed at photographer’s request])